Not currently on display at the V&A

Shah Hamadan's Mosque

Painting
probably August 1854 (made)
Artist/Maker
Place of origin

William Carpenter was trained at the Royal Academy Schools. He was in India from 1850 t0 1856, during which time he travelled extensively from Bombay (Mumbai) and across western India to Rajasthan, Delhi, Kashmir, Lahore and Afghanistan. His depiction of every day street scenes and groups of people is remarkably accurate and animated, his portraits vividly capturing the character of his sitters and the glowing effects of sunlight as cityscapes and architectural monuments. Brilliantly executed in a range of warm colours, his watercolours evoke a gentle romanticism.

After his return to England, The Illustrated London News published some of his watercolours. In 1881, he exhibited 275 of his paintings in a one-man show in the South Kensington Museum, London. This entire collection was subsequently acquired by the V&A.

Shah Hamadan's Mosque, on the right bank of the River Jhelum, was built in 1395 but twice destroyed by fire in 1479 and 1731 and then rebuilt. Carpenter made three visits to Kashmir and produced over 70 paintings. Besides general views of the valley and lakes, he included the quaint wooden houses and streets of Srinagar, bridges across the Jhelum River and Mar canal, Kashmiri women and the Temple of the Sun at Martund, to which Carpenter made a special excursion.


Object details

Categories
Object type
TitleShah Hamadan's Mosque (generic title)
Materials and techniques
Pencil and watercolour on paper
Brief description
Painting of Shah Hamadan's Mosque, Srinagar, by William Carpenter, watercolour on paper, India, 1854
Physical description
View of Shah Hamadan's Mosque looking up the River Jhelum at Srinagar, Kashmir. Many people in the foreground.
Dimensions
  • Width: 25.0cm
  • Sight height: 34.7cm
Gallery label
Shah Hamadan's Mosque, on the right bank of the River Jhelum, was built in 1395 but twice destroyed by fire in 1479 and 1731 and then rebuilt. Carpenter made three visits to Kashmir and produced over 70 paintings. Besides general views of the valley and lakes, he included the quaint wooden houses and streets of Srinagar, bridges across the Jhelum River and Mar canal, Kashmiri women and the Temple of the Sun at Martund, to which Carpenter made a special excursion.(1/12/2008)
Credit line
Museum numbers IS.33-1888 to IS.166-1888 purchased from Mr. Carpenter for £500
Object history
Historical significance: William Carpenter (1818-99)

William Carpenter was trained at the Royal Academy Schools, and was the eldest son of the distinguished portrait painter Margaret Sarah Carpenter and William Hookham Carpenter, who became Keeper of the Prints and Drawings Department at the British Museum.

He was in India from 1850 t0 1856, during which time he travelled extensively from Bombay (Mumbai) and across western India to Rajasthan, Delhi, Kashmir, Lahore and Afghanistan. His depiction of every day street scenes and groups of people is remarkably accurate and animated, his portraits vividly capturing the character of his sitters and the glowing effects of sunlight as cityscapes and architectural monuments. Brilliantly executed in a range of warm colours, his watercolours evoke a gentle romanticism.

After his return to England, The Illustrated London News published some of his watercolours. In 1881, he exhibited 275 of his paintings in a one-man show in the South Kensington Museum, London. This entire collection was subsequently acquired by the V&A.
Summary
William Carpenter was trained at the Royal Academy Schools. He was in India from 1850 t0 1856, during which time he travelled extensively from Bombay (Mumbai) and across western India to Rajasthan, Delhi, Kashmir, Lahore and Afghanistan. His depiction of every day street scenes and groups of people is remarkably accurate and animated, his portraits vividly capturing the character of his sitters and the glowing effects of sunlight as cityscapes and architectural monuments. Brilliantly executed in a range of warm colours, his watercolours evoke a gentle romanticism.

After his return to England, The Illustrated London News published some of his watercolours. In 1881, he exhibited 275 of his paintings in a one-man show in the South Kensington Museum, London. This entire collection was subsequently acquired by the V&A.

Shah Hamadan's Mosque, on the right bank of the River Jhelum, was built in 1395 but twice destroyed by fire in 1479 and 1731 and then rebuilt. Carpenter made three visits to Kashmir and produced over 70 paintings. Besides general views of the valley and lakes, he included the quaint wooden houses and streets of Srinagar, bridges across the Jhelum River and Mar canal, Kashmiri women and the Temple of the Sun at Martund, to which Carpenter made a special excursion.
Bibliographic references
  • Rohatgi P. and Parlett G., assisted by Imray S. and Godrej P. Indian Life and Landscape by Western Artists: Paintings and Drawings from the Victoria and Albert Museum, 17th to the early 20th century. Published by Chhatrapati Shivaji Maharaj Vastu Sangrahalaya, Mumbai, in association with V&A, London, 2008. ISBN 81-901020-9-5. p. 277, pl. 34
  • Patel, Divia; Rohatgi, Pauline and Godrej, Pheroza, "Indian Life and Landscape by Western Artists: an exhibition of paintings and drawings from the 17th to the early 20th century organised by the V&A and CSMVS". Chhatrapati Shivaji Maharaj Vastu Sangrahalaya (CSMVS), Mumbai and Victoria and Albert Museum, 2008, ISBN:81-901020-8-7 p. 65
Collection
Accession number
IS.105-1882

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Record createdDecember 24, 2004
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