'…feeling I don't belong. Walks through leafy glades with a baseball bat by my side…'
Photograph
1987 (photographed)
1987 (photographed)
| Artist/Maker | |
| Place of origin |
In the series ‘Pastoral Interludes’ Guyanese-born British photographer Ingrid Pollard explores issues of race, representation and the British landscape. The posing of her subjects in the Lake District, the epitome of authentic rural Britain, reveals the feelings of alienation and ‘otherness’ often experienced by black British people in rural areas. As a black British female artist, Pollard is one of those people whom the historian and writer C.L.R. James described as being in a position ‘to give a new vision, a deeper and stronger insight into both Western civilisation and the black people in it’.
Object details
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| Materials and techniques | Gelatin-silver print, coloured by hand |
| Brief description | Photograph by Ingrid Pollard, from the series 'Pastoral Interlude', gelatin-silver print, Lake District, 1987 |
| Physical description | Hand-tinted photograph of a black woman, holding a yellow flower in her right hand, looking over a stone wall at the countryside. |
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| Marks and inscriptions | '...feeling I don't belong. Walks through leafy glades with a baseball bat / by my side...' (Printed label fixed beneath photograph.) |
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| Subjects depicted | |
| Place depicted | |
| Summary | In the series ‘Pastoral Interludes’ Guyanese-born British photographer Ingrid Pollard explores issues of race, representation and the British landscape. The posing of her subjects in the Lake District, the epitome of authentic rural Britain, reveals the feelings of alienation and ‘otherness’ often experienced by black British people in rural areas. As a black British female artist, Pollard is one of those people whom the historian and writer C.L.R. James described as being in a position ‘to give a new vision, a deeper and stronger insight into both Western civilisation and the black people in it’. |
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| Collection | |
| Accession number | E.725-1993 |
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| Record created | December 16, 2004 |
| Record URL |
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