Design
1837 (made)
Artist/Maker | |
Place of origin |
The architecture shown is 15th century.
This is one of a number of preliminary designs, probably for a projected book on the ceremonies and customs of the medieval Catholic church. In 1838 the Laity's Directory advertised 'The Church of Our Fathers…by Daniel Rock DD, with numerous illustrations…etched by A. Welby Pugin' as a forthcoming publication. On 30 October 1837, Pugin noted in his diary 'Began Dr Rock work', therefore it is likely that these designs were intended for The Church of Our Fathers. Dr Rock took longer to write the text and the volume was finally published from 1849-1853, without Pugin's illustrations.
Augustus Welby Northmore Pugin (1812-52) is widely considered as one of the most significant and influential architects, designers and theorists of the 19th century. Following his conversion to Catholicism in 1835, he identified the Gothic style with Christian architecture and his work and writings inspired and framed the Gothic Revival. In 'Contrasts', published in 1836, he condemned classical forms and ardently praised 14th and 15th-century architecture. Pugin is best remembered for his work on the Palace of Westminster.
This is one of a number of preliminary designs, probably for a projected book on the ceremonies and customs of the medieval Catholic church. In 1838 the Laity's Directory advertised 'The Church of Our Fathers…by Daniel Rock DD, with numerous illustrations…etched by A. Welby Pugin' as a forthcoming publication. On 30 October 1837, Pugin noted in his diary 'Began Dr Rock work', therefore it is likely that these designs were intended for The Church of Our Fathers. Dr Rock took longer to write the text and the volume was finally published from 1849-1853, without Pugin's illustrations.
Augustus Welby Northmore Pugin (1812-52) is widely considered as one of the most significant and influential architects, designers and theorists of the 19th century. Following his conversion to Catholicism in 1835, he identified the Gothic style with Christian architecture and his work and writings inspired and framed the Gothic Revival. In 'Contrasts', published in 1836, he condemned classical forms and ardently praised 14th and 15th-century architecture. Pugin is best remembered for his work on the Palace of Westminster.
Object details
Categories | |
Object type | |
Materials and techniques | Pencil, in original mount |
Brief description | Sketchbook; interior of a sacristy, A.W.N. Pugin, 1837. |
Physical description | Illustration of the interior of a sacristy, with an open cope chest in the foreground with an ecclesiastical figure putting something away. There are further chests and cupboards around the walls and another ecclesiastical figure. |
Dimensions |
|
Styles | |
Object history | The architecture shown is 15th century. |
Summary | The architecture shown is 15th century. This is one of a number of preliminary designs, probably for a projected book on the ceremonies and customs of the medieval Catholic church. In 1838 the Laity's Directory advertised 'The Church of Our Fathers…by Daniel Rock DD, with numerous illustrations…etched by A. Welby Pugin' as a forthcoming publication. On 30 October 1837, Pugin noted in his diary 'Began Dr Rock work', therefore it is likely that these designs were intended for The Church of Our Fathers. Dr Rock took longer to write the text and the volume was finally published from 1849-1853, without Pugin's illustrations. Augustus Welby Northmore Pugin (1812-52) is widely considered as one of the most significant and influential architects, designers and theorists of the 19th century. Following his conversion to Catholicism in 1835, he identified the Gothic style with Christian architecture and his work and writings inspired and framed the Gothic Revival. In 'Contrasts', published in 1836, he condemned classical forms and ardently praised 14th and 15th-century architecture. Pugin is best remembered for his work on the Palace of Westminster. |
Bibliographic reference | Alexandra Wedgwood, A.W.N. Pugin and the Pugin Family , London; V&A, 1985, pp. 167-171
|
Collection | |
Accession number | E.144-1982 |
About this object record
Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.
You can write to us to suggest improvements to the record.
Suggest feedback
You can write to us to suggest improvements to the record.
Suggest feedback
Record created | June 30, 2009 |
Record URL |
Download as: JSON