A Soldier, called Lord Rich, 3rd Earl of Warwick
Portrait Miniature
ca.1649 (painted)
ca.1649 (painted)
Artist/Maker | |
Place of origin |
Portrait, head and shoulders, turned slightly to left and looking to front; the sitter is wearing armour. Features (where visible) in sharp, wiry hatches of brown and sanguine, with some blue-grey shadowing diagonally stroked and white heightening, on a thick yellowish carnation ground; hair in long loose strokes of grey and brown with some white; collar mainly bare vellum modelled in grey; armour in grey wash, hatched with darker colour and with white lights and gold rivets; background a dense dark brown wash; on vellum put down on a leaf from a table-book.
Frame: Twentieth-century gilt-metal oval locket, with slip-in bezel at back, set with convex glass to show the old inscription; the sides half-round with a projecting rolled-edge bezel holding the principal glass, also convex; hanger of cosse de pais type with central tear-drop opening, two projections on each side, and small ball finial, with a tapering flat wire spiral of five turns on each side of it.
Frame: Twentieth-century gilt-metal oval locket, with slip-in bezel at back, set with convex glass to show the old inscription; the sides half-round with a projecting rolled-edge bezel holding the principal glass, also convex; hanger of cosse de pais type with central tear-drop opening, two projections on each side, and small ball finial, with a tapering flat wire spiral of five turns on each side of it.
Object details
Categories | |
Object type | |
Title | A Soldier, called Lord Rich, 3rd Earl of Warwick (generic title) |
Materials and techniques | Watercolour on vellum put down on a leaf from a table-book |
Brief description | Portrait miniature of a soldier, called Lord Rich, 3rd Earl of Warwick, watercolour on vellum, painted by Samuel Cooper, ca.1649. |
Physical description | Portrait, head and shoulders, turned slightly to left and looking to front; the sitter is wearing armour. Features (where visible) in sharp, wiry hatches of brown and sanguine, with some blue-grey shadowing diagonally stroked and white heightening, on a thick yellowish carnation ground; hair in long loose strokes of grey and brown with some white; collar mainly bare vellum modelled in grey; armour in grey wash, hatched with darker colour and with white lights and gold rivets; background a dense dark brown wash; on vellum put down on a leaf from a table-book. Frame: Twentieth-century gilt-metal oval locket, with slip-in bezel at back, set with convex glass to show the old inscription; the sides half-round with a projecting rolled-edge bezel holding the principal glass, also convex; hanger of cosse de pais type with central tear-drop opening, two projections on each side, and small ball finial, with a tapering flat wire spiral of five turns on each side of it. |
Dimensions |
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Styles | |
Marks and inscriptions |
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Credit line | Alan Evans Bequest, given by the National Gallery |
Object history | Provenance: Acquired from an undisclosed source by the Hon. F H A Wallop before 1927 and lent to the V&A until 1949; given in 1933 to Alan Evans, by whom bequeathed to the National Gallery, 1974; placed on indeterminate loan at the V&A. (See Appendix 3.) |
Subjects depicted | |
Bibliographic reference | Murdoch, John. Seventeenth-century English Miniatures in the collection of the Victoria and Albert Museum. London: The Stationery Office, 1997. |
Collection | |
Accession number | EVANS.18 |
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Record created | June 30, 2009 |
Record URL |
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