Portrait miniature of an unknown officer
Portrait Miniature
ca. 1780-1789 (made)
ca. 1780-1789 (made)
Artist/Maker | |
Place of origin |
This miniature was painted by Diana Hill (maiden name Dietz, 1760-1844), a British miniature painter who lived and worked in Kolkata between 1786 and 1806. Hill was part of a group of portrait painters who travelled to India in pursuit of more commissions and artistic acclaim, such as John Smart and Ozias Humphry. As a woman artist, Hill’s position was more contested than that of her contemporaries in India. In a telling display of his prejudice, Humphry proclaimed that he would ‘rather have had all the male painters in England landed in Bengal than a single woman.’ Hill nonetheless persisted and built a successful portrait practice amongst the city’s colonial elite. It is likely she painted the portraits of local residents too.
Object details
Categories | |
Object type | |
Title | Portrait miniature of an unknown officer (generic title) |
Materials and techniques | Watercolour on ivory |
Brief description | Portrait Miniature, Unknown Officer, by Diana Hill, watercolour on ivory, ca. 1780-1789. |
Physical description | Portrait miniature on ivory of an unknown officer set in a metal frame. |
Dimensions |
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Credit line | Gift of Miss B.C. Lowndes through The Art Fund |
Historical context | Portrait miniatures were frequently exchanged between loved ones and family in eighteenth-century Britain as tokens of affection and remembrance. In colonial India, where many officers were separated from loved ones for long periods of time, there was a high demand for portraits that could be sent to friends and family back home; or that could document and preserve one’s own likeness. Hill painted the portraits of many central figures of the British community in Kolkata. It is likely that she painted portraits for local residents too. |
Subjects depicted | |
Summary | This miniature was painted by Diana Hill (maiden name Dietz, 1760-1844), a British miniature painter who lived and worked in Kolkata between 1786 and 1806. Hill was part of a group of portrait painters who travelled to India in pursuit of more commissions and artistic acclaim, such as John Smart and Ozias Humphry. As a woman artist, Hill’s position was more contested than that of her contemporaries in India. In a telling display of his prejudice, Humphry proclaimed that he would ‘rather have had all the male painters in England landed in Bengal than a single woman.’ Hill nonetheless persisted and built a successful portrait practice amongst the city’s colonial elite. It is likely she painted the portraits of local residents too. |
Bibliographic reference | Summary Catalogue of Miniatures in the Victoria and Albert Museum, Emmett Microform, 1981 |
Collection | |
Accession number | P.49-1930 |
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Record created | June 30, 2009 |
Record URL |
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