Miniature landscape with figures
Miniature
1724 (made)
1724 (made)
| Artist/Maker | |
| Place of origin |
Sarah Stanley (born Sloane, ca. 1709-1764) was the eldest daughter of Sir Hans Sloane, the seventeenth-century physician and collector whose large collection formed the basis of the British Museum and the Natural History Museum. Sloane travelled to Jamaica and eventually married Elizabeth Langley Rose, the heiress to a Jamaican plantation, in 1695. Their fortune from Jamaica funded Sloane’s collecting. Sarah would have grown up in Sloane’s home, which was filled with art, plants, gemstones, coins, antiquities, and other curiosities and gave her unparalleled access to works of art. She began copying works in Sloane’s collection as a teenager—including portraits by Rosalba Carriera and Hilliard’s Unknown Man Clasping A Hand From A Cloud, now in the collection of the V&A. Her style suggests Stanley may have taken further lessons with the miniature painter Bernard Lens. This miniature was painted after Cornelis Van Poelenburch’s Figures Dancing Near A Ruin (ca. 1624) now in the collection of the Detroit Institute of Arts.
Object details
| Categories | |
| Object type | |
| Title | Miniature landscape with figures (generic title) |
| Materials and techniques | Vellum strained on oak panel |
| Brief description | Miniature, Landscape with figures, by Sarah Stanley (born Sloane) after Cornelis van Poelenburgh, watercolour on vellum strained on oak panel, 1724 |
| Physical description | Miniature painting on vellum strained on oak panel of a landscape with figures after Cornelis van Poelenburgh, Figures Dancing Near A Ruin, ca. 1624 |
| Dimensions |
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| Styles | |
| Marks and inscriptions |
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| Object history | This miniature, with P.51-55-1955, was Lot 1307 on the fourth day's sale (13 July 1955) at Paultons, Hants, formerly the property of Major R. C. Hans Sloane Stanley, a descendant of the artist who was herself the elder daughter of Sir Hans Sloane Bt., and married George Stanley in 1719. The sale also included portraits, drawings, and needlework by Stanley, including possibly a copy after Hilliard's Man Clutching a Hand in the Clouds (P.21-1942), a version of which was in Sloane's possession. |
| Subject depicted | |
| Associations | |
| Summary | Sarah Stanley (born Sloane, ca. 1709-1764) was the eldest daughter of Sir Hans Sloane, the seventeenth-century physician and collector whose large collection formed the basis of the British Museum and the Natural History Museum. Sloane travelled to Jamaica and eventually married Elizabeth Langley Rose, the heiress to a Jamaican plantation, in 1695. Their fortune from Jamaica funded Sloane’s collecting. Sarah would have grown up in Sloane’s home, which was filled with art, plants, gemstones, coins, antiquities, and other curiosities and gave her unparalleled access to works of art. She began copying works in Sloane’s collection as a teenager—including portraits by Rosalba Carriera and Hilliard’s Unknown Man Clasping A Hand From A Cloud, now in the collection of the V&A. Her style suggests Stanley may have taken further lessons with the miniature painter Bernard Lens. This miniature was painted after Cornelis Van Poelenburch’s Figures Dancing Near A Ruin (ca. 1624) now in the collection of the Detroit Institute of Arts. |
| Bibliographic references |
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| Collection | |
| Accession number | P.50-1955 |
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| Record created | June 30, 2009 |
| Record URL |
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