Noli Me Tangere
Miniature
1673-1680 (painted)
1673-1680 (painted)
Artist/Maker | |
Place of origin |
Miniature painting depicting Christ, standing at the left of the scene, raising his hand as Mary Magdalen leans forward to touch him. The scene is set in a landscape. In the left background is a view of the hill of Calvary and crucifixes; at centre are two figures; on the right is Christ's tomb, in which are two seated figures. Features of Christ in brown and sanguine finely hatched and blended; features of Mary more summarily hatched in brown with touches of grey in the eyes; both over a pale carnation ground; hair of Christ in pale brown wash, lined and hatched in darker colour; dress in grey-brown wash, modelled in darker colour and the lights in pale grey; cloak in pale orange wash, modelled in darker colour and some lights taken out; dress of Mary in strokes of crimson wash over the bare vellum; shirt in pale orange wash modelled in darker colour and shaded in grey; cloak in dark blue modelled with darker colour and the lights in pale blue-grey; background, figures in middle distance etc., washed and hatched summarily in transparent and opaque colours, some very gummy; a brown marginal strip; on vellum put down on a leaf from a table-book.
Frame: Ebony over oak with the inner part of the moulding gilt; the latter regilded in 1920.
Frame: Ebony over oak with the inner part of the moulding gilt; the latter regilded in 1920.
Object details
Categories | |
Object type | |
Title | Noli Me Tangere (popular title) |
Materials and techniques | Watercolour on vellum put down on a leaf from a table-book |
Brief description | Miniature painting entitled 'Noli Me Tangere' by Nicholas Dixon after Hans Holbein the younger, watercolour on vellum, 1673-1680. |
Physical description | Miniature painting depicting Christ, standing at the left of the scene, raising his hand as Mary Magdalen leans forward to touch him. The scene is set in a landscape. In the left background is a view of the hill of Calvary and crucifixes; at centre are two figures; on the right is Christ's tomb, in which are two seated figures. Features of Christ in brown and sanguine finely hatched and blended; features of Mary more summarily hatched in brown with touches of grey in the eyes; both over a pale carnation ground; hair of Christ in pale brown wash, lined and hatched in darker colour; dress in grey-brown wash, modelled in darker colour and the lights in pale grey; cloak in pale orange wash, modelled in darker colour and some lights taken out; dress of Mary in strokes of crimson wash over the bare vellum; shirt in pale orange wash modelled in darker colour and shaded in grey; cloak in dark blue modelled with darker colour and the lights in pale blue-grey; background, figures in middle distance etc., washed and hatched summarily in transparent and opaque colours, some very gummy; a brown marginal strip; on vellum put down on a leaf from a table-book. Frame: Ebony over oak with the inner part of the moulding gilt; the latter regilded in 1920. |
Dimensions |
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Content description | Scene depicting figures standing in a landscape, crucifixes on a hill in the left background. |
Styles | |
Marks and inscriptions | 'Peter Oliver son of Isaac Oliver/ 1601-1660/ This is a copy of a picture by Holbein at Hampton Court Palace formerly 1 in the collection of Henry VIII Oliver made numerous copies of celebrated pictures/ for Charles I' (Inscribed on a label on the backboard of the frame) |
Credit line | Given by Frederick Tessier, Esq. |
Object history | Provenance: Presented to the Museum in May 1920 by Frederick Tessier Esq. of Brighton, who gave the following account of his acquisition of the miniature: 'I lived in Derbyshire some twenty-five years ago and walking through a neighbouring hamlet, Burnaston, I noticed a deserted hovel with an auction bill on it, walking in I saw the miniature lying on a table, it took my fancy and I sent a servant to buy it which he did for a few shillings, the place gave one the idea that at some time people in fair circumstances had lived there, but I made no enquiries, the frame is the original one.' |
Subjects depicted | |
Place depicted | |
Bibliographic reference | Murdoch, John. Seventeenth-century English Miniatures in the collection of the Victoria and Albert Museum. London: The Stationery Office, 1997. |
Collection | |
Accession number | P.68-1920 |
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Record created | June 30, 2009 |
Record URL |
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