The Flagellation
Panel
late 14th century (made)
late 14th century (made)
Artist/Maker | |
Place of origin |
This ivory pax, is made in the late 14th century in Northern France, Netherlands or probably England. It represents the Flagellation.
A pax is a tablet or board, sometimes of silver, usually decorated with a Christian religious representation. A pax was used at the end of mass as part of the ‘Kiss of Peace’ ritual after the Angus Dei. First the priest would kiss the tablet, then the members of the congregation. England was precocious in introducing the pax, but references abound elsewhere from the beginning of the fourteenth century onwards. Paxes could be made from many materials, including wood, copper, silver and gold, as well as ivory.
The earliest, fourteenth-century, examples are invariably decorated with the Crucifixion, but the imagery rapidly diversified to take in other scenes connected with the Christ’s Passion and Sacrifice. By the fifteenth century the choice had expanded, with many scenes of the Virgin and Child.
A pax is a tablet or board, sometimes of silver, usually decorated with a Christian religious representation. A pax was used at the end of mass as part of the ‘Kiss of Peace’ ritual after the Angus Dei. First the priest would kiss the tablet, then the members of the congregation. England was precocious in introducing the pax, but references abound elsewhere from the beginning of the fourteenth century onwards. Paxes could be made from many materials, including wood, copper, silver and gold, as well as ivory.
The earliest, fourteenth-century, examples are invariably decorated with the Crucifixion, but the imagery rapidly diversified to take in other scenes connected with the Christ’s Passion and Sacrifice. By the fifteenth century the choice had expanded, with many scenes of the Virgin and Child.
Object details
Categories | |
Object type | |
Title | The Flagellation (generic title) |
Materials and techniques | Carved elephant ivory |
Brief description | Pax, carved ivory panel, depicting the Flagellation, North France, Netherlands or probably English, late fourteenth century |
Physical description | Carved ivory panel depicting the Flagellation. Christ is bound to a slender column in the right centre, on either side a soldier with a raised whip to scourge him. Above a crocketed arch. The ivory is split vertically and stained brown, a small piece of the top border is broken away |
Dimensions |
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Object history | Formerly in the collection of James Gurney; Gurney sale, Christie, Manson & Woods, London, 9 March 1898, lot 161; Collection of John McAndrew, Holly Hill, Coleman's Hatch, Sussex; Mc Andrew sale Christie's, London, 2 December 1925, lot 147 (with Mus. No. Circ.1019-1925). Purchased from G.R. Harding through Dr W.L. Hildburgh (for £35, with inv. nos. A.74, 75-1926). |
Subjects depicted | |
Summary | This ivory pax, is made in the late 14th century in Northern France, Netherlands or probably England. It represents the Flagellation. A pax is a tablet or board, sometimes of silver, usually decorated with a Christian religious representation. A pax was used at the end of mass as part of the ‘Kiss of Peace’ ritual after the Angus Dei. First the priest would kiss the tablet, then the members of the congregation. England was precocious in introducing the pax, but references abound elsewhere from the beginning of the fourteenth century onwards. Paxes could be made from many materials, including wood, copper, silver and gold, as well as ivory. The earliest, fourteenth-century, examples are invariably decorated with the Crucifixion, but the imagery rapidly diversified to take in other scenes connected with the Christ’s Passion and Sacrifice. By the fifteenth century the choice had expanded, with many scenes of the Virgin and Child. |
Bibliographic references |
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Collection | |
Accession number | A.76-1925 |
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Record created | November 1, 2004 |
Record URL |
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