Birds of Many Climes
Textile Design
c.1914-18 (made)
c.1914-18 (made)
Artist/Maker | |
Place of origin |
C F A Voysey (1857–1941) is one of the best-known and most enduringly popular designers of the Arts & Crafts Movement. A practising architect, he also designed a broad range of applied arts objects, from furniture, ceramics and metalwork to wallpaper, carpets, tiles and fabrics. His two-dimensional designs, are among his best-known works today and are characterized by simple, stylized, rhythmic repeat patterns featuring motifs found in the natural world.
Voysey was particularly fond of birds and one of his greatest talents was to reduce their complex forms into blocks of colour, while retaining their main characteristics. The amount of detail on the birds in this design is unusual. He explains in the catalogue for an exhibition of his work held at the Batsford gallery in 1931, that it is one of a group of designs that he produced for the Central Control Board, Liquor Traffic, to decorate their canteens and public-houses. Explaining the production process, Voysey writes "These were traced, printed by sun process, and hand coloured in order to be quickly multiplied. The entire work of colouring was done by myself".
The British Government set up the Central Board, Liquor Traffic, in 1915 to better control alchohol consumption during World War I (1914-18), which it considered "injurious, and having a prejudicial effect on the output of munitions, the transport of material, or the discipline of the troops". The board acquired and maintained pubs for the purpose of “supplying reasonable refreshments to men engaged in those burdensome tasks, and for the purpose of preventing ... men from abusing the facilities for the supply of intoxicants". It was perhaps hoped that Voysey’s images would encourage drinkers to think on more wholesome pursuits.
Voysey was particularly fond of birds and one of his greatest talents was to reduce their complex forms into blocks of colour, while retaining their main characteristics. The amount of detail on the birds in this design is unusual. He explains in the catalogue for an exhibition of his work held at the Batsford gallery in 1931, that it is one of a group of designs that he produced for the Central Control Board, Liquor Traffic, to decorate their canteens and public-houses. Explaining the production process, Voysey writes "These were traced, printed by sun process, and hand coloured in order to be quickly multiplied. The entire work of colouring was done by myself".
The British Government set up the Central Board, Liquor Traffic, in 1915 to better control alchohol consumption during World War I (1914-18), which it considered "injurious, and having a prejudicial effect on the output of munitions, the transport of material, or the discipline of the troops". The board acquired and maintained pubs for the purpose of “supplying reasonable refreshments to men engaged in those burdensome tasks, and for the purpose of preventing ... men from abusing the facilities for the supply of intoxicants". It was perhaps hoped that Voysey’s images would encourage drinkers to think on more wholesome pursuits.
Object details
Categories | |
Object type | |
Title | Birds of Many Climes (assigned by artist) |
Materials and techniques | pencil, water and bodycolour, pen & ink |
Brief description | C.F.A. Voysey. 'Birds of Many Climes'. British, c.1914-18 |
Physical description | Textile design showing a tree on a flowered mound. The majority of the sheet is filled with scrolling branches on which are perched a variety of birds from across the globe. Each bird has its name printed next to its depiction. It is framed in a bespoke gilt frame with a square moulding. |
Dimensions |
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Marks and inscriptions | |
Subjects depicted | |
Summary | C F A Voysey (1857–1941) is one of the best-known and most enduringly popular designers of the Arts & Crafts Movement. A practising architect, he also designed a broad range of applied arts objects, from furniture, ceramics and metalwork to wallpaper, carpets, tiles and fabrics. His two-dimensional designs, are among his best-known works today and are characterized by simple, stylized, rhythmic repeat patterns featuring motifs found in the natural world. Voysey was particularly fond of birds and one of his greatest talents was to reduce their complex forms into blocks of colour, while retaining their main characteristics. The amount of detail on the birds in this design is unusual. He explains in the catalogue for an exhibition of his work held at the Batsford gallery in 1931, that it is one of a group of designs that he produced for the Central Control Board, Liquor Traffic, to decorate their canteens and public-houses. Explaining the production process, Voysey writes "These were traced, printed by sun process, and hand coloured in order to be quickly multiplied. The entire work of colouring was done by myself". The British Government set up the Central Board, Liquor Traffic, in 1915 to better control alchohol consumption during World War I (1914-18), which it considered "injurious, and having a prejudicial effect on the output of munitions, the transport of material, or the discipline of the troops". The board acquired and maintained pubs for the purpose of “supplying reasonable refreshments to men engaged in those burdensome tasks, and for the purpose of preventing ... men from abusing the facilities for the supply of intoxicants". It was perhaps hoped that Voysey’s images would encourage drinkers to think on more wholesome pursuits. |
Bibliographic references |
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Collection | |
Accession number | CIRC.768-1931 |
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Record created | June 30, 2009 |
Record URL |
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