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Abstract with Eye and Breast

Watercolour
1938 (made)
Artist/Maker
Place of origin

Grace Pailthorpe (1883–1971) was a surgeon, psychoanalyst and Surrealist artist. In 1935 she met Reuben Mednikoff, an advertising artist 23 years her junior. They began a life-long collaboration in which they used Surrealist ‘automatic’ processes as methods of psychoanalytic experimentation. In this painting, Pailthorpe uses watercolour bleeding to create chance patterns which she has developed into figurative elements based on the unconscious associations they triggered. It was made in 1938, during Pailthorpe and Mednikoff’s formal association with the British Surrealist group. Eyes were a recurring motif for the Surrealist movement. In this work, the artist combines the spherical forms of eyes with those of breasts, reflecting her interest in the theories of Melanie Klein, a child psychoanalyst.

Object details

Categories
Object type
TitleAbstract with Eye and Breast (assigned by artist)
Materials and techniques
Watercolour on paper
Brief description
Watercolour, Abstract with Eye and Breast, by Dr. Grace Pailthorpe, 1938.
Physical description
Watercolour had been applied to bleed into other colours, creating tendrils, rays and abstract forms. These shapes have been developed with harsher lines to create the spherical forms of eyes and breasts. Dated and inscribed with note.
Dimensions
  • Height: 287mm
  • Width: 387mm
28.7 x 38.7 cm: Dimensions taken from departmental notes. Checked 2019.
Style
Marks and inscriptions
  • Oct. 5 1938 No. 2

    Note
    Dated

  • (oil painting is next)

    Note
    Inscribed

Subjects depicted
Summary
Grace Pailthorpe (1883–1971) was a surgeon, psychoanalyst and Surrealist artist. In 1935 she met Reuben Mednikoff, an advertising artist 23 years her junior. They began a life-long collaboration in which they used Surrealist ‘automatic’ processes as methods of psychoanalytic experimentation. In this painting, Pailthorpe uses watercolour bleeding to create chance patterns which she has developed into figurative elements based on the unconscious associations they triggered. It was made in 1938, during Pailthorpe and Mednikoff’s formal association with the British Surrealist group. Eyes were a recurring motif for the Surrealist movement. In this work, the artist combines the spherical forms of eyes with those of breasts, reflecting her interest in the theories of Melanie Klein, a child psychoanalyst.
Bibliographic reference
Haycock, David Boyd, Kirstie Meehan, and Sacha Llewellyn. British Surrealism. London: Dulwich Picture Gallery, 2020. p. 53
Collection
Accession number
P.40-1983

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Record createdJune 30, 2009
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