Panel thumbnail 1
Panel thumbnail 2
Not on display

Panel

18th century-19th century (made)
Artist/Maker
Place of origin

This embroidered silk wall panel was the first Chinese textile to be registered in the V&A's collection.

Despite the seemingly conventional Chinese landscape and motifs in the embroidery, it is probably that this textile was made for an export market. The embroidery is in the style of Cantonese work made for export. The colour scheme is also more typical of those favoured by a European market in the eighteenth and nineteenth century (the pink, vermillion and pastel blue hues would have been a more vibrant shade of reds and blues when new). Finally, there would have been very little use in a Chinese interior for a wall hanging such as this example, while on the other hand, the dimensions of this panel hanging suggests that it might have been made to fit the floor to ceiling height of a European home.

Object details

Categories
Object type
Materials and techniques
silk embroidery
Brief description
Panel, embroidered silk, probably Guangzhou (Canton), China, 18th-19th century
Physical description
Panel or vertical hanging of white silk,embroidered in colours and gold with women and children in a garden setting.
Dimensions
  • Length: 335cm
  • Width: 48cm
Whole hanging 340.4 x 50.8 cm.
Object history
Purchased from Mr. A.S. Idles, accessioned in 1853. This acquisition information reflects that found in the Asia Department registers, as part of a 2022 provenance research project.
This embroidery is the first Chinese textile to be registered in the V&A's records.
Summary
This embroidered silk wall panel was the first Chinese textile to be registered in the V&A's collection.

Despite the seemingly conventional Chinese landscape and motifs in the embroidery, it is probably that this textile was made for an export market. The embroidery is in the style of Cantonese work made for export. The colour scheme is also more typical of those favoured by a European market in the eighteenth and nineteenth century (the pink, vermillion and pastel blue hues would have been a more vibrant shade of reds and blues when new). Finally, there would have been very little use in a Chinese interior for a wall hanging such as this example, while on the other hand, the dimensions of this panel hanging suggests that it might have been made to fit the floor to ceiling height of a European home.
Bibliographic reference
Wilson, Verity. Chinese textiles. London: V&A publications, 2005, plate 1.
Collection
Accession number
792-1853

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Record createdOctober 18, 2004
Record URL
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