Print thumbnail 1
Image of Gallery in South Kensington
Request to view at the Prints & Drawings Study Room, level H , Case PD, Shelf 343

Print

ca. 1860-1927 (made)
Artist/Maker
Place of origin

Sir (Samuel) Luke Fildes (1843-1927) was a major English illustrator and painter. He was born in Liverpool, the son of a shipping agent. He attended evening classes in art at the Mechanics' Institute, Chester, and moved to London in 1863 having won a scholarship to study at the Government Art Training School, South Kensington; an institution linked to the South Kensington Museum, now the V&A. He went on to study at the Royal Academy Schools. He started his artistic career as an illustrator, with a strongly realist style based on direct drawings from nature. When Fildes began to exhibit oil paintings he quickly developed a radical form of "social realist" painting, combining the campaigning subject matter of contemporary journalism and novelists such as Dickens - the urban poor and the effects of industrialization - with the scale and rhetoric of traditional history painting.

This drawing is one of 265 works acquired by the museum through descent from the artist (museum numbers E.451-715-2003). The V&A is the principal repository of Fildes's drawings, having received major gifts in 1971, 1977 and 1987. The bequest of 1971 (E.580-981-1971) was from the son of the artist, Sir Paul Fildes, O.B.E., F.R.S. Sir Paul had compiled a Catalogue raisonné of the published reproductions of Luke Fildes's drawings, revised in 1965, but which remained unpublished; a typescript of this is in the National Art Library (formerly E.981-1971, now L.5859-1975, pressmark 86.W.71). This provided much information about the works which made up the gift. The bequest of 1977 was from Mrs Kitty Whittaker-Ellis, daughter of the artist (E.1704-1804-1977), and that of 1987 came via another daughter, Mrs Cedric Ripley, (E.65-142-1987). The 2003 gift similarly descended from the family and ranges from slight sketches, to worked up designs, probably for Fildes's published illustrative works.

Delve deeper

Discover more about this object
read Charles Dickens Charles Dickens (1812 – 70) was the most popular British novelist of the Victorian era, responsible for some of English literature's most iconic characters, including Ebenezer Scrooge, David Copperfield, Oliver Twist and Miss Havisham. The enduring appeal of his novels and short stories is...

Object details

Categories
Object type
Materials and techniques
Wood engraving with ink and watercolour
Brief description
Proof of an illustration for The Mystery of Edwin Drood, attributed to Luke Fildes (1844-1927), Great Britain, ca. 1860-1927.
Physical description
Wood engraving with ink and watercolour corrections of a murder scene
Dimensions
  • Sheet height: 176mm
  • Sheet width: 286mm
  • Block height: 100mm
  • Block width: 159mm
Marks and inscriptions
  • 'C. Roberts' (Location : Block, bottom left Medium : Wood engraving Author : Engraver)
  • S.L.Fildes' (Location : Block, bottom right Medium : Wood engraving Author : Engraver)
Credit line
Given by Mrs Pamela Myers through Art Fund
Object history
Gift of Mrs Pamela Myers through The Art Fund; by descent from the artist
Subject depicted
Literary reference<u>The Mystery of Edwin Drood </u>
Summary
Sir (Samuel) Luke Fildes (1843-1927) was a major English illustrator and painter. He was born in Liverpool, the son of a shipping agent. He attended evening classes in art at the Mechanics' Institute, Chester, and moved to London in 1863 having won a scholarship to study at the Government Art Training School, South Kensington; an institution linked to the South Kensington Museum, now the V&A. He went on to study at the Royal Academy Schools. He started his artistic career as an illustrator, with a strongly realist style based on direct drawings from nature. When Fildes began to exhibit oil paintings he quickly developed a radical form of "social realist" painting, combining the campaigning subject matter of contemporary journalism and novelists such as Dickens - the urban poor and the effects of industrialization - with the scale and rhetoric of traditional history painting.

This drawing is one of 265 works acquired by the museum through descent from the artist (museum numbers E.451-715-2003). The V&A is the principal repository of Fildes's drawings, having received major gifts in 1971, 1977 and 1987. The bequest of 1971 (E.580-981-1971) was from the son of the artist, Sir Paul Fildes, O.B.E., F.R.S. Sir Paul had compiled a Catalogue raisonné of the published reproductions of Luke Fildes's drawings, revised in 1965, but which remained unpublished; a typescript of this is in the National Art Library (formerly E.981-1971, now L.5859-1975, pressmark 86.W.71). This provided much information about the works which made up the gift. The bequest of 1977 was from Mrs Kitty Whittaker-Ellis, daughter of the artist (E.1704-1804-1977), and that of 1987 came via another daughter, Mrs Cedric Ripley, (E.65-142-1987). The 2003 gift similarly descended from the family and ranges from slight sketches, to worked up designs, probably for Fildes's published illustrative works.
Collection
Accession number
E.709-2003

About this object record

Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.

You can write to us to suggest improvements to the record.

Suggest feedback

Record createdOctober 15, 2004
Record URL
Download as: JSONIIIF Manifest