A Man, called Edward Gregory
Portrait Miniature
ca.1665 (painted)
ca.1665 (painted)
Artist/Maker | |
Place of origin |
Portrait of a man, head and shoulders, to front, his hair long and wearing a cravat tied in a bow. Features firmly hatched in brown and sanguine, with touches of white in the eyes, on a pale carnation ground; the hair in brown wash, lined and hatched with darker colour and with pale gouache for the lights; cravat in grey wash modelled in white; the robe in brown washes with the lights in gold; background to the left a brown wash, and to the right a sky and landscape in opaque washes; on vellum put down on pasteboard.
Frame: Modern gilt-brass, flat front, formed by bending the flat strip sides over to make a rebate for the glass; the sides pierced by three pin-holes for securing the slightly convex backplate; the hanger of D-section, channelled down the middle and bifurcating into reverse turns before beginning diminishing spirals of three turns.
Frame: Modern gilt-brass, flat front, formed by bending the flat strip sides over to make a rebate for the glass; the sides pierced by three pin-holes for securing the slightly convex backplate; the hanger of D-section, channelled down the middle and bifurcating into reverse turns before beginning diminishing spirals of three turns.
Object details
Categories | |
Object type | |
Title | A Man, called Edward Gregory (generic title) |
Materials and techniques | Watercolour on vellum put down on pasteboard |
Brief description | Portrait miniature a man, called Edward Gregory, watercolour on vellum by Thomas Flatman, ca.1665. |
Physical description | Portrait of a man, head and shoulders, to front, his hair long and wearing a cravat tied in a bow. Features firmly hatched in brown and sanguine, with touches of white in the eyes, on a pale carnation ground; the hair in brown wash, lined and hatched with darker colour and with pale gouache for the lights; cravat in grey wash modelled in white; the robe in brown washes with the lights in gold; background to the left a brown wash, and to the right a sky and landscape in opaque washes; on vellum put down on pasteboard. Frame: Modern gilt-brass, flat front, formed by bending the flat strip sides over to make a rebate for the glass; the sides pierced by three pin-holes for securing the slightly convex backplate; the hanger of D-section, channelled down the middle and bifurcating into reverse turns before beginning diminishing spirals of three turns. |
Dimensions |
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Content description | Portrait of a man wearing a cravat tied in a bow and a landscape in the background. |
Styles | |
Marks and inscriptions |
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Credit line | Alan Evans Bequest, given by the National Gallery |
Object history | Provenance: Acquired from an unrecorded source by the Hon. F H A Wallop before 1921 ; lent to the V&A 1927-49; the ownership transferred to Alan Evans, June 1933, and by him bequeathed to the National Gallery, 1974; placed on indeterminate loan at the V&A. |
Subjects depicted | |
Bibliographic reference | Murdoch, John. Seventeenth-century English Miniatures in the Collection of the Victoria & Albert Museum. London: The Stationery Office in association with the Victoria & Albert Museum, 1997.
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Collection | |
Accession number | EVANS.24 |
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Record created | June 30, 2009 |
Record URL |
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