Theatre Costume
1969
Artist/Maker |
In 1969, designer David Walker reconstructed three costumes from the 1653 French court ballet Ballet Royal de la nuit for Ballet For All, the Royal Ballet's educational demonstration group. He drew heavily on contemporary sources, including the existing designs, which are superb examples of Baroque theatre style. That style derived from the 17th and 18th century view of 'classical' history and the cut and decoration of the costumes recalls the chased breastplates and kilt of Roman armour. This ties in with the idea of the 'noble' being related to Roman militarism and virtues.
The participants in the ballet included many noblemen, dancing being one of the ways of occpuying the time of the large number of aristocrats at the French court. The Ballet Royal de nuit was an allegory, and the roles included many virtues and vices. The duc de Joyeuse portrayed Valor, one of the qualites surrounding the Sun (played by Louis XIV).
Walker’s reconstruction follows the outlines and style of the original designs, but interprets them in 20th century terms. The costumes are heavy, which helps the dancers get the feel of the dance style of the period; the fabrics are modern equivalents but the decoration is purely 20th century, being furniture trims available from any do-it-yourself store.
The participants in the ballet included many noblemen, dancing being one of the ways of occpuying the time of the large number of aristocrats at the French court. The Ballet Royal de nuit was an allegory, and the roles included many virtues and vices. The duc de Joyeuse portrayed Valor, one of the qualites surrounding the Sun (played by Louis XIV).
Walker’s reconstruction follows the outlines and style of the original designs, but interprets them in 20th century terms. The costumes are heavy, which helps the dancers get the feel of the dance style of the period; the fabrics are modern equivalents but the decoration is purely 20th century, being furniture trims available from any do-it-yourself store.
Object details
Categories | |
Object type | |
Materials and techniques | |
Brief description | Costume designed by David Walker as recreation of Valour, worn by Le Duc de Joyeuse in the ballet 'Ballet Royal de la Nuit' (1653) worn by Anthony Molyneux and Douglas Vardon and used in the production 'The Twelfth Rose', Ballet For All, Swan Theatre, Worcester, 1969 |
Physical description | Costume for Le Duc de Joyeuse as Valour worn by Anthony Molyneux and Douglas Vardon. Skirted vest with sleeves. |
Dimensions |
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Production type | Unique |
Marks and inscriptions |
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Credit line | Given by the Royal Academy of Dance |
Object history | Recreation of the costume worn by Le Duc de Joyeuse as Valour in the ballet 'Ballet Royal de la Nuit', 1653. The costume was worn by Anthony Molyneux and Douglas Vardon, and used in the production 'The Twelfth Rose', performed by Ballet For All (part of The Royal Ballet) at the Swan Theatre, Worcester, September 1969. The choreography for the reconstruction was staged by Mary Skeaping, the music was by Camberfort, and the words were by Benserade (translated by Fergus Early). The costumes were designed by David Walker. |
Production | Reason For Production: Commission |
Association | |
Literary reference | Le Ballet Royal de la Nuit |
Summary | In 1969, designer David Walker reconstructed three costumes from the 1653 French court ballet Ballet Royal de la nuit for Ballet For All, the Royal Ballet's educational demonstration group. He drew heavily on contemporary sources, including the existing designs, which are superb examples of Baroque theatre style. That style derived from the 17th and 18th century view of 'classical' history and the cut and decoration of the costumes recalls the chased breastplates and kilt of Roman armour. This ties in with the idea of the 'noble' being related to Roman militarism and virtues. The participants in the ballet included many noblemen, dancing being one of the ways of occpuying the time of the large number of aristocrats at the French court. The Ballet Royal de nuit was an allegory, and the roles included many virtues and vices. The duc de Joyeuse portrayed Valor, one of the qualites surrounding the Sun (played by Louis XIV). Walker’s reconstruction follows the outlines and style of the original designs, but interprets them in 20th century terms. The costumes are heavy, which helps the dancers get the feel of the dance style of the period; the fabrics are modern equivalents but the decoration is purely 20th century, being furniture trims available from any do-it-yourself store. |
Collection | |
Accession number | S.1659/K-1982 |
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Record created | September 20, 2004 |
Record URL |
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