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Theatre Costume

1969
Artist/Maker

In 1969, designer David Walker reconstructed three costumes from the 1653 French court ballet Ballet Royal de la nuit for Ballet For All, the Royal Ballet's educational demonstration group. He drew heavily on contemporary sources, including the existing designs, which are superb examples of Baroque theatre style. That style derived from the 17th and 18th century view of 'classical' history and the cut and decoration of the costumes recalls the chased breastplates and kilt of Roman armour. This ties in with the idea of the 'noble' being related to Roman militarism and virtues.
The participants in the ballet included many noblemen, dancing being one of the ways of occpuying the time of the large number of aristocrats at the French court. The Ballet Royal de nuit was an allegory, and the roles included many virtues and vices. The duc de Joyeuse portrayed Valor, one of the qualites surrounding the Sun (played by Louis XIV).
Walker’s reconstruction follows the outlines and style of the original designs, but interprets them in 20th century terms. The costumes are heavy, which helps the dancers get the feel of the dance style of the period; the fabrics are modern equivalents but the decoration is purely 20th century, being furniture trims available from any do-it-yourself store.

Object details

Categories
Object type
Materials and techniques
Brief description
Costume designed by David Walker as recreation of Valour, worn by Le Duc de Joyeuse in the ballet 'Ballet Royal de la Nuit' (1653) worn by Anthony Molyneux and Douglas Vardon and used in the production 'The Twelfth Rose', Ballet For All, Swan Theatre, Worcester, 1969
Physical description
Costume for Le Duc de Joyeuse as Valour worn by Anthony Molyneux and Douglas Vardon. Skirted vest with sleeves.
Dimensions
  • Collar to hem length: 88cm
  • Shoulder to shoulder width: 52cm
  • Weighed on hanger weight: 2.5kg
  • Part a length: 52cm
  • Part a width: 46cm
  • Part b length: 97cm
  • Part b width: 37.5cm
  • Part c length: 140cm
  • Part c width: 55cm
  • Part d length: 140cm
  • Part d width: 20cm
  • Parts a c weight: 1.9kg
  • Parts b d weight: 1.1kg
Production typeUnique
Marks and inscriptions
  • ' Ballet de la nuit / Le Duc de Joyeuse / Mr T. Molyneux ' (Banks & Hutchings label)
  • ' "Ballet de la nuit"/ le duc de Joyeuse / Mr Molyneux / Ballet For All / 34 / 27½ ' (Royal Opera House wardrobe label)
  • ' Douglas Vardon ' (Oversown part ROH wardrobe label)
Credit line
Given by the Royal Academy of Dance
Object history
Recreation of the costume worn by Le Duc de Joyeuse as Valour in the ballet 'Ballet Royal de la Nuit', 1653. The costume was worn by Anthony Molyneux and Douglas Vardon, and used in the production 'The Twelfth Rose', performed by Ballet For All (part of The Royal Ballet) at the Swan Theatre, Worcester, September 1969. The choreography for the reconstruction was staged by Mary Skeaping, the music was by Camberfort, and the words were by Benserade (translated by Fergus Early). The costumes were designed by David Walker.
Production
Reason For Production: Commission
Association
Literary referenceLe Ballet Royal de la Nuit
Summary
In 1969, designer David Walker reconstructed three costumes from the 1653 French court ballet Ballet Royal de la nuit for Ballet For All, the Royal Ballet's educational demonstration group. He drew heavily on contemporary sources, including the existing designs, which are superb examples of Baroque theatre style. That style derived from the 17th and 18th century view of 'classical' history and the cut and decoration of the costumes recalls the chased breastplates and kilt of Roman armour. This ties in with the idea of the 'noble' being related to Roman militarism and virtues.
The participants in the ballet included many noblemen, dancing being one of the ways of occpuying the time of the large number of aristocrats at the French court. The Ballet Royal de nuit was an allegory, and the roles included many virtues and vices. The duc de Joyeuse portrayed Valor, one of the qualites surrounding the Sun (played by Louis XIV).
Walker’s reconstruction follows the outlines and style of the original designs, but interprets them in 20th century terms. The costumes are heavy, which helps the dancers get the feel of the dance style of the period; the fabrics are modern equivalents but the decoration is purely 20th century, being furniture trims available from any do-it-yourself store.
Collection
Accession number
S.1659/K-1982

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Record createdSeptember 20, 2004
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