Milk Jug
1932-1933 (made)
Artist/Maker | |
Place of origin |
H. G. Murphy (1884-1939) was a pupil of Henry Wilson at the Central School of Arts and Crafts and then studied briefly under Emil Lettré in Berlin. In 1913 he established his own workshop in London. From 1907, alongside running his own workshop, he taught at the Royal College of Art and later at the Central School. He was the first silversmith to be appointed Principal of the Central School.
This service was published in Design for Today Vol.II, p.300, (London 1934) with the following commentary:
DESIGN IN SILVER
The exhibition of English silversmiths' work at the Victoria and Albert Museum arranged by the Museum Authorities and the Council for Art and Industry, traces the development of design as shown in silver by examples of ancient and modern side by side. The modern examples, with some exceptions, are of traditional form shorn of embellishement. Here and there the designer has wavered, adding a little beading along the rim or a little engraving.
We illustrate a tea set designed by H.G. Murphy, of 58 Weymouth Street, which won the highest award at the Milan Exhibition of 1933. The design may at first sight seem deliberately eccentric, but its shape is in fact dictated by the method of machine manufacture. It cost £20, which we understand is much less than a corresponding set manufactured by old methods would cost. The lids lift off completely thus dispensing with hinges which must be hand-made. The hand can be inserted for cleaning. The handles are in kingwood.
This service was published in Design for Today Vol.II, p.300, (London 1934) with the following commentary:
DESIGN IN SILVER
The exhibition of English silversmiths' work at the Victoria and Albert Museum arranged by the Museum Authorities and the Council for Art and Industry, traces the development of design as shown in silver by examples of ancient and modern side by side. The modern examples, with some exceptions, are of traditional form shorn of embellishement. Here and there the designer has wavered, adding a little beading along the rim or a little engraving.
We illustrate a tea set designed by H.G. Murphy, of 58 Weymouth Street, which won the highest award at the Milan Exhibition of 1933. The design may at first sight seem deliberately eccentric, but its shape is in fact dictated by the method of machine manufacture. It cost £20, which we understand is much less than a corresponding set manufactured by old methods would cost. The lids lift off completely thus dispensing with hinges which must be hand-made. The hand can be inserted for cleaning. The handles are in kingwood.
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Object details
Categories | |
Object type | |
Parts | This object consists of 2 parts.
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Materials and techniques | Silver with kingwood |
Brief description | Silver with kingwood handle and knop, London hallmarks for 1932-3, mark of H.G. Murphy and the Falcon mark for Murphy's workshop. |
Credit line | Given by Andrew Cox in memory of his parents, Mr and Mrs John Cox. |
Object history | This service was published in Design for Today Vol.II, p.300, (London 1934) with the following commentary: DESIGN IN SILVER The exhibition of English silversmiths' work at the Victoria and Albert Museum arranged by the Museum Authorities and the Council for Art and Industry, traces the development of design as shown in silver by examples of ancient and modern side by side. The modern examples, with some exceptions, are of traditional form shorn of embellishement. Here and there the designer has wavered, adding a little beading along the rim or a little engraving. We illustrate a tea set designed by H.G. Murphy, of 58 Weymouth Street, which won the highest award at the Milan Exhibition of 1933. The design may at first sight seem deliberately eccentric, but its shape is in fact dictated by the method of machine manufacture. It cost £20, which we understand is much less than a corresponding set manufactured by old methods would cost. The lids lift off completely thus dispensing with hinges which must be hand-made. The hand can be inserted for cleaning. The handles are in kingwood. Goldsmiths' Company Exhibition RF.2004/844 |
Historical context | Given by Andrew Cox in memory of his parents, Mr and Mrs John Cox. |
Summary | H. G. Murphy (1884-1939) was a pupil of Henry Wilson at the Central School of Arts and Crafts and then studied briefly under Emil Lettré in Berlin. In 1913 he established his own workshop in London. From 1907, alongside running his own workshop, he taught at the Royal College of Art and later at the Central School. He was the first silversmith to be appointed Principal of the Central School. This service was published in Design for Today Vol.II, p.300, (London 1934) with the following commentary: DESIGN IN SILVER The exhibition of English silversmiths' work at the Victoria and Albert Museum arranged by the Museum Authorities and the Council for Art and Industry, traces the development of design as shown in silver by examples of ancient and modern side by side. The modern examples, with some exceptions, are of traditional form shorn of embellishement. Here and there the designer has wavered, adding a little beading along the rim or a little engraving. We illustrate a tea set designed by H.G. Murphy, of 58 Weymouth Street, which won the highest award at the Milan Exhibition of 1933. The design may at first sight seem deliberately eccentric, but its shape is in fact dictated by the method of machine manufacture. It cost £20, which we understand is much less than a corresponding set manufactured by old methods would cost. The lids lift off completely thus dispensing with hinges which must be hand-made. The hand can be inserted for cleaning. The handles are in kingwood. |
Associated objects | |
Collection | |
Accession number | M.6B&PART-1985 |
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Record created | September 10, 2004 |
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