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Architectural Drawing
1859 (made)
Artist/Maker
Place of origin

Red House, designed for his friends William and Jane Morris, was Philip Webb’s first house. Designed in 1859 and completed in 1860, it is located near Upton, now Bexleyheath, Kent. Conceived as a family home and studio, Webb’s design was always intended to be flexible and easily altered to accommodate members of Morris’s circle. In 1864 Webb designed an additional wing, extending Red House to make room for Edward Burne-Jones and his wife Georgie. Webb’s initial proposal was deemed too expensive, so he also designed a second scheme at a reduced cost. Ultimately neither scheme of additions was realised due to both Morris and Georgie Burne-Jones suffering serious illness. Morris increasingly found the long commute to London impossible, and he sold the house in 1865.
The V&A has drawings for the initial design of Red House, and both subsequent projects. Writing in 1915, Lady Burne-Jones, referred to them as follows: ‘October 12, 1915. I am sending by Passenger train (tomorrow) the Plans for Red House (not the Red House as people will call it!) and for the additions to it which were dreamed of. There are seven sheets for each. You will see that Nos. V and VI for details of Red House are drawn on the two sides of the sheet, which is a pity. There is a small sheet belonging to the imaginary House, and I think it is a suggestion of a fresh treatment for the proposed additional House, not further developed. The sheet which divides Red House Plans from those of our Castle in the air has - as you will perceive - a rough jotting upon it of the way Red House stood and the front garden. In one of the Red House plans you will see written the names of flowers that are to be put in beds at the foot of the East wall and to climb up it. I do not know which of the friends wrote these, but remember how successful the laying out of the garden was, and that the house has never looked 'bare' .'
Today Red House belongs to the National Trust.

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read Introducing William Morris William Morris is best known as the 19th century's most celebrated designer, but he was also a driven polymath who spent much of his life fighting the consensus. A key figure in the Arts & Crafts Movement, Morris championed a principle of handmade production that didn't chime with the Vict...

Object details

Categories
Object type
Title
Materials and techniques
Pen and ink and watercolour
Brief description
Design for Red House, Upton, Bexleyheath, by Philip Webb, 1859
Physical description
Contract drawing for Red House, designed by Philip Webb for William Morris. The sheet shows elevations of the house at two points, marked E-F and K-L on the ground plan (E.59-1916). The sections are drawn in black ink and shaded with red and brown watercolour, with pencil annotations throughout. To the right of the sheet there are pencil sketches showing details of the windows and chimneys. The sheet is signed and dated by Philip Webb in the lower right corner, and signed by the builder, William Kent, in the upper right corner.
Production typeUnique
Credit line
Presented by Lady Burne-Jones
Summary
Red House, designed for his friends William and Jane Morris, was Philip Webb’s first house. Designed in 1859 and completed in 1860, it is located near Upton, now Bexleyheath, Kent. Conceived as a family home and studio, Webb’s design was always intended to be flexible and easily altered to accommodate members of Morris’s circle. In 1864 Webb designed an additional wing, extending Red House to make room for Edward Burne-Jones and his wife Georgie. Webb’s initial proposal was deemed too expensive, so he also designed a second scheme at a reduced cost. Ultimately neither scheme of additions was realised due to both Morris and Georgie Burne-Jones suffering serious illness. Morris increasingly found the long commute to London impossible, and he sold the house in 1865.
The V&A has drawings for the initial design of Red House, and both subsequent projects. Writing in 1915, Lady Burne-Jones, referred to them as follows: ‘October 12, 1915. I am sending by Passenger train (tomorrow) the Plans for Red House (not the Red House as people will call it!) and for the additions to it which were dreamed of. There are seven sheets for each. You will see that Nos. V and VI for details of Red House are drawn on the two sides of the sheet, which is a pity. There is a small sheet belonging to the imaginary House, and I think it is a suggestion of a fresh treatment for the proposed additional House, not further developed. The sheet which divides Red House Plans from those of our Castle in the air has - as you will perceive - a rough jotting upon it of the way Red House stood and the front garden. In one of the Red House plans you will see written the names of flowers that are to be put in beds at the foot of the East wall and to climb up it. I do not know which of the friends wrote these, but remember how successful the laying out of the garden was, and that the house has never looked 'bare' .'
Today Red House belongs to the National Trust.
Associated objects
Bibliographic references
  • Karen Livingstone and Linda Parry, eds. International Arts and Crafts London: V&A Publications, 2005. 368p. : ill (chiefly col.). ISBN: 1851774467 (hbk)
  • P. 56 Margot Th. Brandlhuber and Michael Buhrs, eds. In the temple of the self : the artist's residence as a total work of art : Europe und America 1800-1948. Munich: Villa Stuck, 2013. ISBN: 9783775735933.
  • Red House is discussed in detail in Sheila Kirk, 'Philip Webb: Pioneer of Arts and Crafts Architecture', pp.20-35.
Collection
Accession number
E.62-1916

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Record createdJune 30, 2009
Record URL
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