Leaf from a Gradual for the Camaldolese monastery of San Michele a Murano
Manuscript Cutting
1392 -1399 (made)
1392 -1399 (made)
Artist/Maker | |
Place of origin |
Leaf with a 2-line historiated initial D with Nativity; border decorated with floral motifs and a peacock. This initial introduces the first Mass for Christmas morning.
Rubric: In Nocte Nativitatis domini, Introitus. Dominus di/[xit ad me Filius meus], Introit for the first Mass for Christmas morning
6 lines of music (staves of 4 red lines, 37 mm); square notation
Original foliation in red ink at the top of the page: XXXII
Rubric: In Nocte Nativitatis domini, Introitus. Dominus di/[xit ad me Filius meus], Introit for the first Mass for Christmas morning
6 lines of music (staves of 4 red lines, 37 mm); square notation
Original foliation in red ink at the top of the page: XXXII
Object details
Categories | |
Object type | |
Title | Leaf from a Gradual for the Camaldolese monastery of San Michele a Murano |
Materials and techniques | Water-based pigment, gold leaf and ink on parchment |
Brief description | Leaf with historiated initial D showing the Nativity, from a Gradual for the Camaldolese monastery of San Michele a Murano, Italy (Florence), 1392-1399. |
Physical description | Leaf with a 2-line historiated initial D with Nativity; border decorated with floral motifs and a peacock. This initial introduces the first Mass for Christmas morning. Rubric: In Nocte Nativitatis domini, Introitus. Dominus di/[xit ad me Filius meus], Introit for the first Mass for Christmas morning 6 lines of music (staves of 4 red lines, 37 mm); square notation Original foliation in red ink at the top of the page: XXXII |
Dimensions |
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Production type | Unique |
Object history | Made in Florence at the convent of Santa Maria degli Angeli, for San Michele a Murano in Venice. Bought before 1863 when it was transferred from the Art Museum. A duplicate number MS.966 was assigned to this object in error and was subsequently cancelled. Seven fragments, whose date and place of acquisition are unknown, arrived at the South Kensington Museum by an early date; four (2868, 3045, 3074 and 3087) appear in a register recording the internal transfer from the Art Museum to the Library on 6 December 1863 of a group of 241 illuminations, and a further three are recorded in a similar transfer in 1874 (431, 432 and 434). The remaining thirteen cuttings (D.217 to 228-1906) were acquired on 22 June 1906 from Bernard Quaritch for a total cost of £60. Two of them depicting prophets were lost during the Second World War (D.220-1906 and D.223-1906). Cuttings from the same set of graduals in the V&A collection: 431, 432, 434, 2868, 3045, 3074, 3087, D.217-1906, D.218-1906, D.219-1906, D.221-1906, D.222-1906, D.224-1906, D.225-1906, D.226-1906, D.227-1906,D.228-1906, D.229-1906. This piece is part of a series of over fifty identified cuttings from two different graduals now distributed through various collections. Related cuttings are in: New York, Pierpont Morgan Library; Stockholm, National Museum; Berlin, Kupferstichkabinett; Paris, Musée Marmottan; Padua, Museo Civico; London, The British Library. |
Production | Made at the convent of Santa Maria degli Angeli, Florence. |
Bibliographic references |
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Other number | 966 - Cancelled number |
Collection | |
Accession number | 3074 |
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Record created | June 30, 2009 |
Record URL |
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