Limehouse
Print
1859 (etched)
1859 (etched)
| Artist/Maker | |
| Place of origin |
During his formative years in Paris in the 1850s, Whistler was influenced by the injunctions of the poet and theorist Charles Baudelaire that artists should take subjects from 'modern life' and seek a new beauty in the teeming cities. Whistler's first major suite of prints, his 'French Set' brought critical acclaim but disappointing sales. Seeking more generous patrons, he moved to London in 1859. Initially under the influence of his brother-in-law Francis Seymour Haden, a pioneer of the 'etching revival', he began a series of superbly observed and finely detailed views of the River Thames with its shipping, thriving wharves and picturesque characters.
Object details
| Category | |
| Object type | |
| Titles |
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| Materials and techniques | Etching on paper |
| Brief description | Etching by James Whistler, 'Limehouse', from the Thames Set. Etched 1859. |
| Physical description | Etching by James Whistler, ‘Limehouse’, from the Thames Set. Etched 1859. Early impression. In addition to early impressions the plate was printed and issued in 1871 as one of the ‘Sixteen Etchings of Scenes on the Thames, and Other Subjects,’ by Ellis and Green, 32 King Street, Covent Garden, in editions of one hundred. Signed and dated by the artist in plate. View of the Thames and warehouses at Limehouse. In the right foreground, cargo being unloaded from a barge into a warehouse on the quayside. Mooring posts to the left with ships and a river view beyond. |
| Dimensions |
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| Style | |
| Marks and inscriptions | 'Whistler 1859' (Signed and dated) |
| Object history | W.37, 1st state; K.40, 2nd state. |
| Subjects depicted | |
| Place depicted | |
| Summary | During his formative years in Paris in the 1850s, Whistler was influenced by the injunctions of the poet and theorist Charles Baudelaire that artists should take subjects from 'modern life' and seek a new beauty in the teeming cities. Whistler's first major suite of prints, his 'French Set' brought critical acclaim but disappointing sales. Seeking more generous patrons, he moved to London in 1859. Initially under the influence of his brother-in-law Francis Seymour Haden, a pioneer of the 'etching revival', he began a series of superbly observed and finely detailed views of the River Thames with its shipping, thriving wharves and picturesque characters. |
| Associated objects |
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| Bibliographic references |
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| Collection | |
| Accession number | CIRC.15-1912 |
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| Record created | June 30, 2009 |
| Record URL |
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