Beggars
Print
1880 (etched), 1903 (printed)
1880 (etched), 1903 (printed)
| Artist/Maker | |
| Place of origin |
In 1879 Whistler was commissioned by the Fine Art Society to make a set of etchings of Venice. This is a printmaking technique in which acid is used to bite lines in a metal plate. These lines are next filled with ink, which is then printed on to paper.
Whistler was one of the first artists to put his pencilled signature to a print. This practice grew up during the second half of the 19th century in order to identify works printed from surfaces made by the artist him- or herself, as opposed to reproductions of works originally created in other media.
Whistler was one of the first artists to put his pencilled signature to a print. This practice grew up during the second half of the 19th century in order to identify works printed from surfaces made by the artist him- or herself, as opposed to reproductions of works originally created in other media.
Object details
| Category | |
| Object type | |
| Title | Beggars (assigned by artist) |
| Materials and techniques | Etching and drypoint on paper |
| Brief description | Etching and drypoint by James McNeill Whistler, 'Beggars'; etched 1880, printed 1903. From 'Venice, a Series of Twelve Etchings', first published by the Fine Art Society, London, 1880. |
| Physical description | Etching and drypoint by James McNeill Whistler, 'Beggars'; etched 1880, printed 1903. From 'Venice, a Series of Twelve Etchings', first published by the Fine Art Society, London, 1880. Also known as 'The First Venice Set'. One of 22 impressions taken after Whistler's death to complete the edition. Inscribed in pencil on the back 'F. Goulding Printer Nov.27 1903'. |
| Dimensions |
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| Marks and inscriptions | 'F. Goulding Printer Nov.27 1903' (Inscribed in pencil on the back) |
| Credit line | Acquired from The University of Glasgow Art Collections, The Hunterian Museum, University of Glasgow in 1968 |
| Object history | This is one of twenty-two impressions taken after Whistler's death to complete the edition due to the Fine Art Society. W.159; K.194, 9th state. |
| Subject depicted | |
| Place depicted | |
| Summary | In 1879 Whistler was commissioned by the Fine Art Society to make a set of etchings of Venice. This is a printmaking technique in which acid is used to bite lines in a metal plate. These lines are next filled with ink, which is then printed on to paper. Whistler was one of the first artists to put his pencilled signature to a print. This practice grew up during the second half of the 19th century in order to identify works printed from surfaces made by the artist him- or herself, as opposed to reproductions of works originally created in other media. |
| Associated objects | |
| Bibliographic references |
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| Collection | |
| Accession number | CIRC.636-1968 |
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| Record created | June 30, 2009 |
| Record URL |
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