Dove thumbnail 1

Dove

18th century (made)
Artist/Maker
Place of origin

This exceptionally heavy cast object may have come from a church in Surrey. The dove is an ancient Christian symbol for the Holy Spirit and the sacrament of baptism. In the New Testament account of Christ's baptism, the Holy Spirit descended from Heaven in the form of a dove. This example may have been attached to the cover of a baptismal font although similar brass doves are also found on chandeliers.

Object details

Categories
Object type
Materials and techniques
Cast pewter
Brief description
Pewter dove, England, 18th century
Physical description
Pewter dove cast in two halves in a sand mould and seamed with two iron rods protruding as legs joined to a pewter fixing which has a heavy screw thread and a channel for a cord or chain.
Dimensions
  • Height: 26.5cm
  • Length: 28.5cm
  • Depth: 8.3cm
Production typeUnique
Gallery label
Figure of a Dove In the Gospel accounts of Christ's baptism, the Holy Spirit descended from heaven in the form of a dove. The dove therefore has always been a symbol for the Holy Spirit and the sacrament of baptism. This dove, which perhaps came from a church in Surrey, is cast and exceptionally heavy. It may have been attached to the cover of a baptismal font, though similar doves in brass are also found on chandeliers. England, 1700-30 Pewter Museum no. M.561-1926. Croft Lyons Bequest
Credit line
Lt. Col. G. B. Croft-Lyons Bequest
Object history
This object is thought to have come from a church in Surrey. It may have been attached to the cover of the baptismal font, presumably through the threaded hole in the perch.
Historical context
Saints and Symbols
Like most religions, Christianity has a rich language of images and symbols. This iconography would have been clearly understood in the past but it may be less familiar to modern eyes.

Though often decorative, the symbols used on religious metalwork also refer to the function and significance of the objects. The contemplation of religious motifs can draw believers into a deeper understanding of their faith. Complex theological themes can be represented in a visual form. A chalice, for example, might be adorned with the tools used in the Crucifixion (the 'Instruments of the Passion') to direct the viewer's mind towards Christ's sacrifice and his death on the cross.

The use of images has caused controversy throughout Christian history. While supporters held that imagery glorified God and helped believers understand their faith better, critics attacked its use as superstition and idolatry.

Saints
Christians venerate saints as men and women who, through the holiness of their lives, became especially close to God. The saints include martyrs who suffered and died for their faith as well as great teachers and preachers. Their lives provide an example and inspiration for the faithful. Roman Catholics also believe that saints can intercede on their behalf with God. In Christian iconography, saints are usually depicted with a distinctive object or 'attribute' associated with their martyrdom or works. For example, St Bartholomew, who was skinned alive, holds a flaying knife, and St George is shown with a dragon.
Subject depicted
Summary
This exceptionally heavy cast object may have come from a church in Surrey. The dove is an ancient Christian symbol for the Holy Spirit and the sacrament of baptism. In the New Testament account of Christ's baptism, the Holy Spirit descended from Heaven in the form of a dove. This example may have been attached to the cover of a baptismal font although similar brass doves are also found on chandeliers.
Bibliographic reference
North, Anthony, Pewter at the Victoria and Albert Museum, London, V&A Publications, 1999, p.174 ill. ISBN.185177 2235
Collection
Accession number
M.561-1926

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Record createdAugust 27, 2004
Record URL
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