Leaf from a Gradual for the Camaldolese monastery of San Michele a Murano
Manuscript Cutting
1392 -1399 (made)
1392 -1399 (made)
Artist/Maker | |
Place of origin |
Leaf with historiated initial A with God the Father presenting Christi Child to a group of saints, including one pope, two monks. This initial introduces the Mass for the First Sunday of Advent.
Rubric In nomine Domini Amen. Dominica Prima de Adventu Domini ad Missam, Introitus. Ad te levavi
5 lines of music (Staves of 4 red lines, 37 mm) and text; square notation.
Original foliation in red at the top of the page: I.
Rubric In nomine Domini Amen. Dominica Prima de Adventu Domini ad Missam, Introitus. Ad te levavi
5 lines of music (Staves of 4 red lines, 37 mm) and text; square notation.
Original foliation in red at the top of the page: I.
Object details
Categories | |
Object type | |
Title | Leaf from a Gradual for the Camaldolese monastery of San Michele a Murano |
Materials and techniques | Water-based pigment, gold leaf and ink on parchment |
Brief description | Leaf with historiated initial A showing God the Father presenting Christ to a group of saints, from a Gradual for the Camaldolese monastery of San Michele a Murano, Italy (Florence), 1392-1399. |
Physical description | Leaf with historiated initial A with God the Father presenting Christi Child to a group of saints, including one pope, two monks. This initial introduces the Mass for the First Sunday of Advent. Rubric In nomine Domini Amen. Dominica Prima de Adventu Domini ad Missam, Introitus. Ad te levavi 5 lines of music (Staves of 4 red lines, 37 mm) and text; square notation. Original foliation in red at the top of the page: I. |
Dimensions |
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Production type | Unique |
Object history | Made in Florence at the convent of Santa Maria degli Angeli, for San Michele a Murano in Venice. Bought before 1874 when it was transferred from the Art Museum. A duplicate number MS.964 was assigned to this object in error and was subsequently cancelled. Seven fragments, whose date and place of acquisition are unknown, arrived at the South Kensington Museum by an early date; four (2868, 3045, 3074 and 3087) appear in a register recording the internal transfer from the Art Museum to the Library on 6 December 1863 of a group of 241 illuminations, and a further three are recorded in a similar transfer in 1874 (431, 432 and 434). The remaining thirteen cuttings (D.217 to 229-1906) were acquired on 22 June 1906 from Bernard Quaritch for a total cost of £60. Two of them depicting prophets were lost during the Second World War (D.220-1906 and D.223-1906). Cuttings from the same set of graduals in the V&A collection: 431, 432, 434, 2868, 3045, 3074, 3087, D.217-1906, D.218-1906, D.219-1906, D.221-1906, D.222-1906, D.224-1906, D.225-1906, D.226-1906, D.227-1906,D.228-1906, D.229-1906. This piece is part of a series of over fifty identified cuttings from two different graduals now distributed through various collections. Related cuttings are in: New York, Pierpont Morgan Library; Stockholm, National Museum; Berlin, Kupferstichkabinett; Paris, Musée Marmottan; Padua, Museo Civico; London, The British Library. |
Production | Made at the convent of Santa Maria degli Angeli, Florence. |
Bibliographic references |
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Other number | 964 - Cancelled number |
Collection | |
Accession number | 434 |
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Record created | June 30, 2009 |
Record URL |
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