Theatre Costume
1984
Artist/Maker |
One of the costumes designed by Philip Prowse for Glenda Jackson in the title role of Jean Racine's play 'Phedra' performed at the Old Vic, London, 21st November 1984 by the Lupton Theatre Company. It was made by Susanna Wilson.
Philip Prowse as director and designer put his stamp on this stylish, ‘thrilling’ staging. The stage was dominated by swaged curtains of tarnished gold, gilt throne, funeral urns and horses heads and the costumes, as John Barber said in his review in the Daily Telegraph, ‘approximate sumptuously to the period’ (that is the seventeenth century France of Racine). Milton Shulman however considered that the women’s voluminous robes ‘make them look as if they were trapped in ornate gas balloons’.
Glenda Jackson’s performance in this production was much admired Michael Billington described it as ‘the stuff of tragedy: the cry of a cornered soul’ and the Observer said ‘Glenda Jackson’s range of passions lurches from molton desire to icy humiliation, her voice a corncrake crackle or a purr’.
The English stage version of Racine's text was by Robert David MacDonald, and the production was directed and designed by Philip Prowse. The lighting was designed by Gerry Jenkinson, the producer was Colin Brough The production later transferred to the Aldwych Theatre, London.
Philip Prowse as director and designer put his stamp on this stylish, ‘thrilling’ staging. The stage was dominated by swaged curtains of tarnished gold, gilt throne, funeral urns and horses heads and the costumes, as John Barber said in his review in the Daily Telegraph, ‘approximate sumptuously to the period’ (that is the seventeenth century France of Racine). Milton Shulman however considered that the women’s voluminous robes ‘make them look as if they were trapped in ornate gas balloons’.
Glenda Jackson’s performance in this production was much admired Michael Billington described it as ‘the stuff of tragedy: the cry of a cornered soul’ and the Observer said ‘Glenda Jackson’s range of passions lurches from molton desire to icy humiliation, her voice a corncrake crackle or a purr’.
The English stage version of Racine's text was by Robert David MacDonald, and the production was directed and designed by Philip Prowse. The lighting was designed by Gerry Jenkinson, the producer was Colin Brough The production later transferred to the Aldwych Theatre, London.
Object details
Object type | |
Parts | This object consists of 11 parts. (Some alternative part names are also shown below)
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Brief description | Costume for Phedra by Glenda Jackson in 'Phedra', Old Vic, London, 1984 |
Physical description | Second costume for Phedra worn by Glenda Jackson. |
Dimensions |
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Production type | Unique |
Gallery label |
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Object history | Necklace for Phedra worn by Glenda Jackson in Jean Racine's play 'Phedra' performed at the Old Vic, London, 21st November 1984 by the Lupton Theatre Company. The English stage version of Racine's text was by Robert David MacDonald, and the production was directed and designed by Philip Prowse. The lighting was designed by Gerry Jenkinson, and the producer was Colin Brough. The production later transferred to the Aldwych Theatre, London. |
Production | Reason For Production: Commission |
Subject depicted | |
Associations | |
Literary references |
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Summary | One of the costumes designed by Philip Prowse for Glenda Jackson in the title role of Jean Racine's play 'Phedra' performed at the Old Vic, London, 21st November 1984 by the Lupton Theatre Company. It was made by Susanna Wilson. Philip Prowse as director and designer put his stamp on this stylish, ‘thrilling’ staging. The stage was dominated by swaged curtains of tarnished gold, gilt throne, funeral urns and horses heads and the costumes, as John Barber said in his review in the Daily Telegraph, ‘approximate sumptuously to the period’ (that is the seventeenth century France of Racine). Milton Shulman however considered that the women’s voluminous robes ‘make them look as if they were trapped in ornate gas balloons’. Glenda Jackson’s performance in this production was much admired Michael Billington described it as ‘the stuff of tragedy: the cry of a cornered soul’ and the Observer said ‘Glenda Jackson’s range of passions lurches from molton desire to icy humiliation, her voice a corncrake crackle or a purr’. The English stage version of Racine's text was by Robert David MacDonald, and the production was directed and designed by Philip Prowse. The lighting was designed by Gerry Jenkinson, the producer was Colin Brough The production later transferred to the Aldwych Theatre, London. |
Collection | |
Accession number | S.930&J-1985 |
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Record created | August 13, 2004 |
Record URL |
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