Architectural Drawing
18th century (made)
Artist/Maker | |
Place of origin |
Elevation of a window on the façade by leading architect and designer Sir William Chambers (1723-1796). Although thought in the eighteenth century to be by Andrea Palladio, this villa is now usually believed to be an exercise in Palladian themes by an unknown architect (see Puppi 1986, 140).
Chambers was born in Sweden and died in London. He travelled widely, visiting China, and studied architecture at the Ecole des Arts, Paris, from 1749 and in Italy from 1750 to 1755. Many of his drawings from this period are contained in his important 'Franco-Italian' album, held in the V&A. Chambers moved to London in 1755 and published his influential Treatise on Civil Architecture in 1759. Chambers demonstrated the breadth of his style in buildings such as Gower (later Carrington) House and Melbourne House, London, in such country houses as Duddingston, Scotland, and in the garden architecture he designed for Wilton House, Wiltshire, and at Kew Gardens. He became head of government building in 1782, and in this capacity built Somerset House, London.
Chambers was born in Sweden and died in London. He travelled widely, visiting China, and studied architecture at the Ecole des Arts, Paris, from 1749 and in Italy from 1750 to 1755. Many of his drawings from this period are contained in his important 'Franco-Italian' album, held in the V&A. Chambers moved to London in 1755 and published his influential Treatise on Civil Architecture in 1759. Chambers demonstrated the breadth of his style in buildings such as Gower (later Carrington) House and Melbourne House, London, in such country houses as Duddingston, Scotland, and in the garden architecture he designed for Wilton House, Wiltshire, and at Kew Gardens. He became head of government building in 1782, and in this capacity built Somerset House, London.
Object details
Categories | |
Object type | |
Materials and techniques | Pen and ink, pencil and grey and brown washes |
Brief description | Elevation of a window on the façade, 18th century, Sir William Chambers (1723-1796). |
Physical description | Elevation of a window on the façade. This drawing is cut from a larger sheet. |
Dimensions |
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Style | |
Production type | Design |
Marks and inscriptions | 'Windows of the principal floor of the Arsieri' Note Inscribed in ink with dimensions |
Historical context | Although thought in the eighteenth century to be by Andrea Palladio, this villa is now usually believed to be an exercise in Palladian themes by an unknown architect (Puppi 1986, 140). |
Subjects depicted | |
Association | |
Summary | Elevation of a window on the façade by leading architect and designer Sir William Chambers (1723-1796). Although thought in the eighteenth century to be by Andrea Palladio, this villa is now usually believed to be an exercise in Palladian themes by an unknown architect (see Puppi 1986, 140). Chambers was born in Sweden and died in London. He travelled widely, visiting China, and studied architecture at the Ecole des Arts, Paris, from 1749 and in Italy from 1750 to 1755. Many of his drawings from this period are contained in his important 'Franco-Italian' album, held in the V&A. Chambers moved to London in 1755 and published his influential Treatise on Civil Architecture in 1759. Chambers demonstrated the breadth of his style in buildings such as Gower (later Carrington) House and Melbourne House, London, in such country houses as Duddingston, Scotland, and in the garden architecture he designed for Wilton House, Wiltshire, and at Kew Gardens. He became head of government building in 1782, and in this capacity built Somerset House, London. |
Bibliographic reference | Snodin, M. Sir William Chambers. London: V&A Publications, 1996.
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Collection | |
Accession number | 7074:2 |
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Record created | June 30, 2009 |
Record URL |
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