Telegraph Wires with Aeroplane, Frankfurt am Main
Photograph
1930 (made), after 1930 (printed)
1930 (made), after 1930 (printed)
Artist/Maker | |
Place of origin |
Ilse Bing (1899–1998) was one of several leading women photographers in the inter-war period. Born into a Jewish family in Frankfurt, she initially pursued an academic career. She taught herself photography to illustrate her own writing on the German Neo-classical architect Friedrich Gilly. In 1929 she bought herself a Leica camera and turned her attention to the new architecture being built around her home town of Frankfurt. The Dutch Modernist architect Mart Stam commissioned her to record several of his ambitious and radical building projects. Dizzy angles, flat plains and strong shadows were all part of a contemporary language of art and design pioneered by both the ‘New Photography’ and the new architecture. In 1930 Bing moved to Paris to concentrate on photography.
Object details
Category | |
Object type | |
Title | Telegraph Wires with Aeroplane, Frankfurt am Main (assigned by artist) |
Materials and techniques | Gelatin-silver print |
Brief description | 'Telegraph wires with airplane, Frankfurt am Main', photograph by Ilse Bing, 1930, gelatin-silver print, printed later. |
Physical description | Black and white photograph of close-up of electricity or telephone wires, with aeroplane flying past. |
Dimensions |
|
Style | |
Copy number | 2/5 |
Marks and inscriptions | title (title and date written on reverse by Ilse Bing) |
Credit line | Bequeathed by Ilse Bing Wolff |
Summary | Ilse Bing (1899–1998) was one of several leading women photographers in the inter-war period. Born into a Jewish family in Frankfurt, she initially pursued an academic career. She taught herself photography to illustrate her own writing on the German Neo-classical architect Friedrich Gilly. In 1929 she bought herself a Leica camera and turned her attention to the new architecture being built around her home town of Frankfurt. The Dutch Modernist architect Mart Stam commissioned her to record several of his ambitious and radical building projects. Dizzy angles, flat plains and strong shadows were all part of a contemporary language of art and design pioneered by both the ‘New Photography’ and the new architecture. In 1930 Bing moved to Paris to concentrate on photography. |
Collection | |
Accession number | E.3031-2004 |
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Record created | August 4, 2004 |
Record URL |
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