Elevation of the monument to Pope, Gay and Swift from the office of leading architect and designer Sir William Chambers (1723-1796). On the verso, a sketch of an oval form surrounded by a moulding, perhaps for a picture or mirror frame. This is an alternative design which is drawn in an office hand and retains the temple form as shown in cat.630/ 3384 but frames the entrance with the Tuscan order. This design is washed in the colour of the stone.

Chambers was born in Sweden and died in London. He travelled widely, visiting China, and studied architecture at the Ecole des Arts, Paris, from 1749 and in Italy from 1750 to 1755. Many of his drawings from this period are contained in his important 'Franco-Italian' album, held in the V&A. Chambers moved to London in 1755 and published his influential Treatise on Civil Architecture in 1759. Chambers demonstrated the breadth of his style in buildings such as Gower (later Carrington) House and Melbourne House, London, in such country houses as Duddingston, Scotland, and in the garden architecture he designed for Wilton House, Wiltshire, and at Kew Gardens. He became head of government building in 1782, and in this capacity built Somerset House, London.