The Twenty Views of the European Palaces of the Yuanmingyuan
Print
1783-1786 (made)
1783-1786 (made)
Artist/Maker | |
Place of origin |
The European Pavilions (Xiyanglou) located in the Yuanmingyuan or Old Summer Palace in Beijing were the grandest expressions of the Qing rulers' interest in the arts of Europe. Most of the buildings were completed between 1756 to 1766. In 1783, the Qianlong emperor commissioned a set of copperplate engravings depicting twenty views of the European Pavilions and these was printed by 1786. Copies were kept in the palace and an additional 200 sets were given to imperial relatives, high officials, and other guests. The album in the V&A would have been one of the 200 sets. It is missing the first image - the south view of the Xieqiqu (Pavilion Harmonizing Surprise and Delight). The prints were designed and probably produced by a Manchu court artist Yi Lantai (fl. 1749-86) who was trained by Giuseppe Castiglione (1688-1766), the Italian Jesuit artist who worked at the Qing court. This album provides an important visual record of the European Pavilions of the Yuanmingyuan that was destroyed by English and French troops in 1860 during the Second Opium War.
Object details
Category | |
Object type | |
Materials and techniques | copperplate engraving on paper |
Brief description | Album, 19 views of the European Palaces of the Yuanmingyuan, copperplate engraving on paper, China, Qing dynasty, Qianlong period, 1783-1786 |
Physical description | Engraving on paper, mounted in album, depicting the west view of the Haiyantang (Hall of Calm Seas). Inscription on top right. Seals in red on the border. |
Dimensions |
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Styles | |
Marks and inscriptions |
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Gallery label | View of the Calm Sea Palace
Qianlong reign period
1781-1786
This European-style palace was one of the halls in the Yuanming Yuan, the Emperor Qianlong's summer residence. The palace was designed by Jesuit priests based on Baroque models.
Copperplate engraving on paper(2009) |
Object history | In 1783, the Qianlong emperor commissioned a set of copperplate engravings depicting twenty views of the European pavilions in the Yuanmingyuan or Old Summer Palace. Copies of the engravings were kept in the palace, and an additional 200 sets were given to imperial relatives, high officials, and other guests. This album, which is missing the first scene, would have been one of the 200 sets. The seal marks on the album suggest that it was in China but not in the Yuanmingyuan around 1860. It was acquired by the V&A on 2 February 1883, described as 'Chinese engravings. Nineteen views of palaces and gardens, folio-folded plates', purchased from E. Parsons. |
Subjects depicted | |
Summary | The European Pavilions (Xiyanglou) located in the Yuanmingyuan or Old Summer Palace in Beijing were the grandest expressions of the Qing rulers' interest in the arts of Europe. Most of the buildings were completed between 1756 to 1766. In 1783, the Qianlong emperor commissioned a set of copperplate engravings depicting twenty views of the European Pavilions and these was printed by 1786. Copies were kept in the palace and an additional 200 sets were given to imperial relatives, high officials, and other guests. The album in the V&A would have been one of the 200 sets. It is missing the first image - the south view of the Xieqiqu (Pavilion Harmonizing Surprise and Delight). The prints were designed and probably produced by a Manchu court artist Yi Lantai (fl. 1749-86) who was trained by Giuseppe Castiglione (1688-1766), the Italian Jesuit artist who worked at the Qing court. This album provides an important visual record of the European Pavilions of the Yuanmingyuan that was destroyed by English and French troops in 1860 during the Second Opium War. |
Bibliographic reference | Jackson, Anna & Jaffer, Amin (eds.) Encounters : the meeting of Asia and Europe 1500-1800, London, V&A, 2004
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Collection | |
Accession number | 29452:9 |
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Record created | July 5, 2004 |
Record URL |
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