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Dead End I, Queensborough Bridge, New York

Photograph
1936 (made)
Artist/Maker
Place of origin

Ilse Bing (1899–1998) was one of several leading women photographers in the inter-war period. Born into a Jewish family in Frankfurt, she initially pursued an academic career before moving to Paris in 1930 to concentrate on photography.

In the 1930s Bing was championed in the USA by the writer Willem Hendrik van Loon, who introduced her work to the editors of Harpers Bazaar magazine and the influential gallerist Julian Levy. In her scenes of New York, made during her visit in 1936, Bing resolved her interests in Modernist design and the comedies of urban randomness. Her skills as a photojournalist are evident in vernacular sidewalk scenes such as this – gatherings of ethnic minorities, card schools and barber’s shop frontages, reminiscent of contemporary American realist painting. This populist iconography is combined with responses to modern architecture – a subject also shared with contemporary American photographers such as Alfred Stieglitz and Berenice Abbott.

Object details

Categories
Object type
TitleDead End I, Queensborough Bridge, New York (assigned by artist)
Materials and techniques
Gelatin-silver print
Brief description
Dead End I, Queensborough Bridge, New York, photograph by Ilse Bing, 1936, vintage gelatin-silver print
Physical description
Black and white photograph of three men at the waterside. One is lying down with his boots off, while the other two appear in conversation next to a bollard for mooring boats.
Dimensions
  • Width: 28.1cm
  • Height: 18.6cm
Style
Marks and inscriptions
'352-153-C9' (Archival reference from cataloguing prior to acquisition by V&A)
Credit line
Bequeathed by Ilse Bing Wolff
Production
Vintage print
Place depicted
Summary
Ilse Bing (1899–1998) was one of several leading women photographers in the inter-war period. Born into a Jewish family in Frankfurt, she initially pursued an academic career before moving to Paris in 1930 to concentrate on photography.

In the 1930s Bing was championed in the USA by the writer Willem Hendrik van Loon, who introduced her work to the editors of Harpers Bazaar magazine and the influential gallerist Julian Levy. In her scenes of New York, made during her visit in 1936, Bing resolved her interests in Modernist design and the comedies of urban randomness. Her skills as a photojournalist are evident in vernacular sidewalk scenes such as this – gatherings of ethnic minorities, card schools and barber’s shop frontages, reminiscent of contemporary American realist painting. This populist iconography is combined with responses to modern architecture – a subject also shared with contemporary American photographers such as Alfred Stieglitz and Berenice Abbott.
Collection
Accession number
E.3038-2004

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Record createdJune 23, 2004
Record URL
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