(Tasse) Gobelet a lait thumbnail 1
Image of Gallery in South Kensington
On display at V&A South Kensington
Europe 1600-1815, Room 1

(Tasse) Gobelet a lait

Cup and Cover
1759 (made)
Artist/Maker
Place of origin

This large, practical cup was used for the milk drinks taken in private apartments by those with ailments or hangovers. Hot or cold milk was mixed with water, wine, beer, floral infusions, beef or mutton broth, chicken or veal stock, and cereals such as barley, rice or sago. The deep saucer could be used for bread or as a bowl for cooling the drink.

Cups and saucers of this type were made at Vincennes/Sèvres factory from 1752 until the 1780s. King Louis XV, his mistress Mme. de Pompadour and many members of the court are listed in the sales records as purchasing them. We know from the inventory taken on her death in 1764 that Mme. de Pompadour kept examples of this shape in her garde-robe, the room used in the same way as a plumbed-in bathroom today.

The painter Etienne Evans was one of many fan painters who were employed by the factory, starting at Vincennes in 1752 and only finally retiring from Sèvres nearly fifty years later in 1800. He specialised in bird decoration.

Object details

Categories
Object type
Parts
This object consists of 2 parts.

  • Cup Body (With Saucer)
  • Cup Cover
Title(Tasse) Gobelet a lait (manufacturer's title)
Materials and techniques
Soft-paste porcelain, painted in enamels and gilt
Brief description
Soft paste porcelain cup and cover, painted in enamels and gilt with birds and floral patterns, made at Sèvres porcelain factory, France, 1759
Physical description
Form: two loop handles, acanthus moulded ends
Ground: white
Decoration: birds and flowers
Lid
Knop Form: fruit and leaf knop
Dimensions
  • Height: 8.7cm
  • Diameter: 9.7cm
  • Maximum width: 14.1cm
Marks and inscriptions
  • Interlaced 'L's in blue enamel with date letter 'f' (Maker's mark)
  • a dagger in blue enamel for Étienne Evans (Painter's mark)
  • DU (incised)
Gallery label
Cup and saucer (gobelet à lait) 1759 This cup was for the milky drinks taken in private apartments by those who were unwell. Hot or cold milk was mixed with wine or beer, floral infusions, meat broth and cereals such as barley, rice or sago. The deep saucer was used for bread and as a bowl for cooling the drink. France (Paris) Made at the Sèvres factory Porcelain painted in enamels and gilded Given by Mrs Herbert Allen (Mrs Maude Louise Allen) (09/12/2015)
Credit line
Given by Mrs Herbert Allen (Maude Louise Allen)
Object history
Given by Mrs. Herbert Allen, Maude Louise Allen.

According to Savill (see below) this shape was introduced in 1753 in two sizes, although 'gobelets à lait à deux anses couverts' are recorded in 1752.
Subjects depicted
Summary
This large, practical cup was used for the milk drinks taken in private apartments by those with ailments or hangovers. Hot or cold milk was mixed with water, wine, beer, floral infusions, beef or mutton broth, chicken or veal stock, and cereals such as barley, rice or sago. The deep saucer could be used for bread or as a bowl for cooling the drink.

Cups and saucers of this type were made at Vincennes/Sèvres factory from 1752 until the 1780s. King Louis XV, his mistress Mme. de Pompadour and many members of the court are listed in the sales records as purchasing them. We know from the inventory taken on her death in 1764 that Mme. de Pompadour kept examples of this shape in her garde-robe, the room used in the same way as a plumbed-in bathroom today.

The painter Etienne Evans was one of many fan painters who were employed by the factory, starting at Vincennes in 1752 and only finally retiring from Sèvres nearly fifty years later in 1800. He specialised in bird decoration.
Bibliographic references
  • Rosalind Savill, The Wallace Collection: Catalogue of Sèvres Porcelain, 3 vols. London: Trustees of the Wallace Collection, 1988. See vol II, pp 667-669 for a detailed discussion of this shape, followed by three examples, C438 and C 439 both of 1766 and C 440 of 1774.
  • Peters, David. An examination of Vincennes and early Sèvres date letters. The French Porcelain Society, A transcript of the talk given at the French Porcelain Society Study Day on 17 June 2014. London, 2014. Following a detailed analysis of the records against existing pieces, Peters has suggested 'f’ is now for 1759, not 1758-9 as formerly thought.
Collection
Accession number
C.111-1922

About this object record

Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.

You can write to us to suggest improvements to the record.

Suggest feedback

Record createdJune 7, 2004
Record URL
Download as: JSONIIIF Manifest