Plateau (de d.) carre thumbnail 1
Plateau (de d.) carre thumbnail 2
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Image of Gallery in South Kensington
On display at V&A South Kensington
Europe 1600-1815, Room 1

Plateau (de d.) carre

Tray
1766 (made)
Artist/Maker
Place of origin

Tea drinking never became as fashionable in France as in other European countries. But the practice existed at an aristocratic level as an alternative to the usual coffee and chocolate. So-called cabaret sets or déjeuners consisted of complete services on a tray for just one or two people. The Vincennes/Sèvres factory gave them the most luxurious treatment, since its patrons were the wealthiest members of French society.
This is an example of the smallest type of tea set made by the factory, a déjeuner carré, and comprises a single cup and saucer on a square tray with pierced sides. Individual tea sets first appear in the factory records in 1755, and the sales records (most of which have miraculously survived) prove that the purchasers were often the most important members of the court, including the King and his mistress the Madame de Pompadour. This example has extremely unusual ground decoration comprising different shapes painted in relief, scattered like confetti on a background of gilded dots. Some shapes appear to be abstract, but others clearly depict objects including a butterfly, a jug, a heart, a bottle, dividers etc. It is possible this decoration was inspired by richly jewelled material, enamels or confectionary. The reserves were painted by the decorator André-Vincent Vielliard. On the tray is a group of gardening implements, while on the cup and saucer are implements for making and serving tea and coffee. On the saucer, next to a group of porcelain, is a tall pointed object. This is a sugar loaf, the normal way to buy sugar in the 18th century, partially wrapped in its traditional blue paper.


Object details

Categories
Object type
TitlePlateau (de d.) carre (manufacturer's title)
Materials and techniques
Soft-paste porcelain painted with enamels, pierced and gilded
Brief description
Tray of soft-paste porcelain painted with enamels and gilded, painted by Vielliard père, Sèvres porcelain factory, Sèvres, 1766.
Physical description
Tray of soft-paste porcelain painted with enamels and gilded. Square form with vitruvian pierced sides. On a pink ground with confetti dotted with gold and painted with emblems, jewels and utensils is a circular medallion with garden implements.
Dimensions
  • Maximum length: 15.1cm
  • Width: 15.1cm
Marks and inscriptions
  • Interlaced 'L's with date letter 'n' and one dot below (Maker's mark in blue enamel)
  • A label (Painter's mark in blue enamel for André-Vincent Vielliard)
  • 'F.L.' (Incised)
  • 'fi' (Incised)
Gallery label
Cup, saucer and tray 1766 The saucer shows the preparation of coffee. A copper pot is being heated over a brazier with the aid of bellows. To the right are a coffee grinder, a sugar loaf and a porcelain jar, sugar bowl, cup and saucer. No milk jug is shown: both coffee and tea could be taken black or served with hot or cold milk. France (Paris) Made at the Sèvres factory Porcelain painted in enamels and gilded Bequeathed by Mr John George Joicey(09/12/2015)
Credit line
Bequeathed by Mr John George Joicey
Subjects depicted
Summary
Tea drinking never became as fashionable in France as in other European countries. But the practice existed at an aristocratic level as an alternative to the usual coffee and chocolate. So-called cabaret sets or déjeuners consisted of complete services on a tray for just one or two people. The Vincennes/Sèvres factory gave them the most luxurious treatment, since its patrons were the wealthiest members of French society.
This is an example of the smallest type of tea set made by the factory, a déjeuner carré, and comprises a single cup and saucer on a square tray with pierced sides. Individual tea sets first appear in the factory records in 1755, and the sales records (most of which have miraculously survived) prove that the purchasers were often the most important members of the court, including the King and his mistress the Madame de Pompadour. This example has extremely unusual ground decoration comprising different shapes painted in relief, scattered like confetti on a background of gilded dots. Some shapes appear to be abstract, but others clearly depict objects including a butterfly, a jug, a heart, a bottle, dividers etc. It is possible this decoration was inspired by richly jewelled material, enamels or confectionary. The reserves were painted by the decorator André-Vincent Vielliard. On the tray is a group of gardening implements, while on the cup and saucer are implements for making and serving tea and coffee. On the saucer, next to a group of porcelain, is a tall pointed object. This is a sugar loaf, the normal way to buy sugar in the 18th century, partially wrapped in its traditional blue paper.
Associated object
Collection
Accession number
C.1439-1919

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Record createdJune 7, 2004
Record URL
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