Bras de cheminée Duplessis thumbnail 1
Bras de cheminée Duplessis thumbnail 2
+8
images
Image of Gallery in South Kensington
On display at V&A South Kensington
Europe 1600-1815, Room 3

This object consists of 4 parts, some of which may be located elsewhere.

Bras de cheminée Duplessis

Wall Light
1760-1768 (made)
Artist/Maker
Place of origin

The most important French porcelain factory was founded in about 1740 in the royal château of Vincennes, with workmen lured from the nearby factory at Chantilly. By 1756 Vincennes had outgrown its workshops in the old château and the factory transferred to specially constructed premises at Sèvres. The Royal Manufactory specialised in exceptionally luxurious objects, many destined for the French court. Capable of startling innovation, the factory produced a constantly evolving repertoire to suit the changing tastes of its clients. Sèvres porcelain was admired and collected by the royal, noble and wealthy elite throughout Europe, but it also became widely imitated.

The model for these wall lights was supplied to the Vincennes/Sèvres factory by the goldsmith and their directeur artistique, Jean-Claude Duplessis in 1760. They were in production by 1st January 1761, when they are described in an inventory as 'bras de cheminée Duplessis'. They seem to capture the essense of the rococo style as their organic form exploits the plasticity of the medium of porcelain to the full. Modelled as scrolling branches with leaves and buds, at the end of the branches there are gilt-bronze candle-holders formed as tulip-like flowers. Sèvres factory documents indicate that only about 20 pairs were sold between 1761 and 1768. King Louis XV owned at least ten green pairs, bought in 1762. Thanks to the inventory of her possessions drawn up after her death in 1764, we know that the king's mistress, Madame de Pompadour had a pair in pink, green and blue in the bedroom of her Paris townhouse, the Hôtel d'Évreux (now the Elysée Palace), and another pair in green was in her grand cabinet at the château de Ménars. They would have been mounted on the wall flanking the fireplace in the room, probably with a garniture of vases in matching colours displayed on the mantelpiece.
In addition to this pair, there are a few others in public collections today, including one rare pair in three colours, pink, blue and green, in the Louvre, Paris (probably one of those owned by Mme. de Pompadour), one in the Metropolitain Museum of Art in New York and another in the musée Nissim de Camondo, Paris. None of them, as far as it is known, have any marks.

Information about Mme. de Pompadour's Sèvres wall lights summarised from Madame de Pompadour et les arts (Paris: Réunion des musées nationaux, 2002) Catalogue of an exhibition held at the Musée national des châteaux de Versailles et de Trianon, 14 February - 19 May 2002, Kunsthalle der Hypo- Kulturstiftung, Munich, 14 June - 15 September 2002, and the National Gallery, London, 16 October 2002 - 12 January 2003.


Object details

Categories
Object type
Parts
This object consists of 4 parts.

  • Wall Light
  • Wall Light
  • Bracket
  • Bracket
TitleBras de cheminée Duplessis (manufacturer's title)
Materials and techniques
soft-paste porcelain, painted in enamels and gilt
Brief description
Pair of wall lights, soft-paste porcelain painted with enamels in green and blue and gilded, each with three tulip-shaped candle holders in gilt bronze, made by the Sèvres porcelain factory, France, 1760-1768.
Physical description
Pair of wall lights, each with three branches, made from soft-paste porcelain painted with enamels in green and blue and gilded. The central stem consists of a moulded scroll form terminating in crossed acanthus leaves at the top, enamelled in green and gilded, with a central scroll enamelled in blue and with pointillé gilding. The central branch, which rises above the side branches, is bound to the stem with moulded white curved ribbon motifs. The three branches are formed of stylised acanthus leaf forms, each with a tulip-shaped gilt bronze candle holder formed of stylised leaves. The base of the wall light and the side branches have clusters of acanthus seeds enamelled in blue with gilded pointille decoration.
Dimensions
  • Height: 448mm
  • Width: 280mm
  • Depth: 195mm
Gallery label
Pair of wall lights 1760–68 These wall lights are formed as Rococo scrolls, from which leafy branches with buds or seeds grow. Their flower-shaped gilded metal sockets held candles. The pair would have been positioned on either side of a mirror. The branches to the side curve outwards so the candlelight would be reflected in the glass. France (Paris) Made at the Sèvres factory Designed by Jean-Claude Duplessis Porcelain painted in enamels and gilded; gilded copper alloy mounts Bequeathed by Mrs Lyne Stephens (09/12/2015)
Credit line
Bequeathed by Mrs Lyne Stephens
Object history
Mrs. Lyne Stephens Bequest. According to the register 'The Girandole is hung on an oak back coverered with red velvet and surrounded by a rococo frame in ormolu which is inscribed "Henry Dasson 1881"'
Production
The model for these candle branches was supplied to the factory by the goldsmith Jean-Claude Duplessis in 1760, and the branches were in production by 1st January 1761, when they are described in an inventory as 'bras cheminée Duplessis'. Factory documents indicate that only about 20 pairs were sold between 1761 and 1768. Louis XV owned at least ten green pairs (bought in 1762) and Madame de Pompadour had a green and a pink pair (the green pair was in her cabinet at Menars).
Subjects depicted
Summary
The most important French porcelain factory was founded in about 1740 in the royal château of Vincennes, with workmen lured from the nearby factory at Chantilly. By 1756 Vincennes had outgrown its workshops in the old château and the factory transferred to specially constructed premises at Sèvres. The Royal Manufactory specialised in exceptionally luxurious objects, many destined for the French court. Capable of startling innovation, the factory produced a constantly evolving repertoire to suit the changing tastes of its clients. Sèvres porcelain was admired and collected by the royal, noble and wealthy elite throughout Europe, but it also became widely imitated.

The model for these wall lights was supplied to the Vincennes/Sèvres factory by the goldsmith and their directeur artistique, Jean-Claude Duplessis in 1760. They were in production by 1st January 1761, when they are described in an inventory as 'bras de cheminée Duplessis'. They seem to capture the essense of the rococo style as their organic form exploits the plasticity of the medium of porcelain to the full. Modelled as scrolling branches with leaves and buds, at the end of the branches there are gilt-bronze candle-holders formed as tulip-like flowers. Sèvres factory documents indicate that only about 20 pairs were sold between 1761 and 1768. King Louis XV owned at least ten green pairs, bought in 1762. Thanks to the inventory of her possessions drawn up after her death in 1764, we know that the king's mistress, Madame de Pompadour had a pair in pink, green and blue in the bedroom of her Paris townhouse, the Hôtel d'Évreux (now the Elysée Palace), and another pair in green was in her grand cabinet at the château de Ménars. They would have been mounted on the wall flanking the fireplace in the room, probably with a garniture of vases in matching colours displayed on the mantelpiece.
In addition to this pair, there are a few others in public collections today, including one rare pair in three colours, pink, blue and green, in the Louvre, Paris (probably one of those owned by Mme. de Pompadour), one in the Metropolitain Museum of Art in New York and another in the musée Nissim de Camondo, Paris. None of them, as far as it is known, have any marks.

Information about Mme. de Pompadour's Sèvres wall lights summarised from Madame de Pompadour et les arts (Paris: Réunion des musées nationaux, 2002) Catalogue of an exhibition held at the Musée national des châteaux de Versailles et de Trianon, 14 February - 19 May 2002, Kunsthalle der Hypo- Kulturstiftung, Munich, 14 June - 15 September 2002, and the National Gallery, London, 16 October 2002 - 12 January 2003.
Bibliographic references
  • Madame de Pompadour et les arts (Paris: Réunion des musées nationaux, 2002) Catalogue of an exhibition held at the Musée national des châteaux de Versailles et de Trianon, 14 February - 19 May 2002, Kunsthalle der Hypo-Kulturstiftung, Munich, 14 June - 15 September 2002, and the National Gallery, London, 16 October 2002 - 12 January 2003. pp. 448-9, catalogue number 183, pp 448-449
  • Svend Eriksen and Geoffrey de Bellaigue, Sèvres Porcelain (London and Boston: Faber & Faber, 1987), pp. 320-321, no. 134.
  • Whitehead, John and Sèvres, Cité de la céramique. Sèvres, a ceramic history: Sèvres at the Time of Louis XV, Birth of a Legend. Paris, Editions courtes et longues, 2010. p. 98 for one of the pair in the Louvre
Collection
Accession number
467&A-1895

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Record createdJune 7, 2004
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