Saucer thumbnail 1
Saucer thumbnail 2
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Image of Gallery in South Kensington
On display at V&A South Kensington
Europe 1600-1815, Room 1

Saucer

1793-1800 (made)
Artist/Maker
Place of origin

The most important French porcelain factory was founded in 1740 in the royal chateau of Vincennes. In 1756 it was transferred to Sèvres, the other side of Paris, and shortly after was bought by Louis XV. The support and protection of the king and his mistress, Madame de Pompadour, enabled it to secure the best artists, sculptors, designers and chemists. Sèvres porcelain soon became the most sought after in Europe. The royal manufactory at Sèvres specialised in luxury porcelains, many of which were destined for the French court. Each year it displayed its newest models in the king's apartments at Versailles. The factory was very responsive to changes in fashion and introduced many innovations in design and decoration. Its products were admired throughout Europe and its style was widely imitated. During the French Revolution, which brought about a disastrous drop in sales of luxury porcelain, the factory was Nationalised and began producing patriotic wares.
Symbols of the Republic depicted on this cup and saucer (770 & A -1877) include a triangular stonemason's or carpenter's level (representing Equality and Justice), scales and serpents (representing Justice, Eternity and the Constitution of France), Fasces (a bundle of bound rods surrounding an axe, representing ancient Roman Power and Jurisdiction), a Phrygian cap (Liberty), oak (civic virtue and force) and the Revolutionary flag (tricolore).


Object details

Categories
Object type
Materials and techniques
Porcelain, painted in enamels and gilt
Brief description
Saucer, porcelain, painted in enamels and gilt with Republican devices, Sèvres porcelain factory, France, 1793-1800
Physical description
Cup, porcelain, painted in enamels and gilt with Republican devices.
Dimensions
  • Top diameter: 134mm
  • Height: 27mm
Marks and inscriptions
  • 'RF' (In monogram and 'Sevres', all in blue enamel)
  • (An ermine in blue enamel for Hirel de Choisy)
  • 'GI' in gold for Étienne-Gabriel Girard
Gallery label
Cup and saucer About 1793–1800 This cup and saucer were made at least a year after the Sèvres porcelain factory transferred from royal to state ownership. They show that the production of luxury goods did not stop during the Revolution. The factory adapted some of its designs to reflect political events. Here, Republican symbols include the Phrygian cap, a symbol of liberty, and the new flag of the Republic. France (Paris) Made at the Sèvres factory Porcelain painted in enamels and gilded With ‘RF’ monogram for République Française(09/12/2015)
Object history
From the Bond Collection
Acquisition type: Purchase
Subjects depicted
Summary
The most important French porcelain factory was founded in 1740 in the royal chateau of Vincennes. In 1756 it was transferred to Sèvres, the other side of Paris, and shortly after was bought by Louis XV. The support and protection of the king and his mistress, Madame de Pompadour, enabled it to secure the best artists, sculptors, designers and chemists. Sèvres porcelain soon became the most sought after in Europe. The royal manufactory at Sèvres specialised in luxury porcelains, many of which were destined for the French court. Each year it displayed its newest models in the king's apartments at Versailles. The factory was very responsive to changes in fashion and introduced many innovations in design and decoration. Its products were admired throughout Europe and its style was widely imitated. During the French Revolution, which brought about a disastrous drop in sales of luxury porcelain, the factory was Nationalised and began producing patriotic wares.
Symbols of the Republic depicted on this cup and saucer (770 & A -1877) include a triangular stonemason's or carpenter's level (representing Equality and Justice), scales and serpents (representing Justice, Eternity and the Constitution of France), Fasces (a bundle of bound rods surrounding an axe, representing ancient Roman Power and Jurisdiction), a Phrygian cap (Liberty), oak (civic virtue and force) and the Revolutionary flag (tricolore).
Bibliographic references
  • French porcelain of the eighteenth century at the V&A / Christopher Maxwell / London : V&A Publishing, 2009. pp.50-51
  • Maze-Sencier, Alphonse, 'Le livre des collectionneurs', Publisher: Paris : Librairie Renouard, 1885. Ch. LES TABATIÈRES HISTORIQUES ET POLITIQUES. Gombrich, E.H. (1979), THE DREAM OF REASON:SYMBOLISM OF THE FRENCH REVOLUTION. Journal for Eighteenth-Century Studies, 2: 187–205. Harden, J. David, 'Liberty Caps and Liberty Trees' Past & Present, No. 146 (Feb., 1995), pp. 66-102 Symbols, Myths and Images of the French Revolution: Essays in Honour of James A. Leith I. A. N. GERMANI, James A. Leith, R. J. W. Swales, University of Regina. Canadian Plains Research Center, University of Regina. Dept. of History. CPRC Press, 1998
Collection
Accession number
770A-1877

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Record createdJune 7, 2004
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