Madonna and Two Children
Photograph
1864 (photographed)
1864 (photographed)
| Artist/Maker | |
| Place of origin |
Julia Margaret Cameron's mentor and friend, the artist G.F. Watts wrote to Cameron, ‘Please do not send me valuable mounted copies … send me any … defective unmounted impressions, I shall be able to judge just as well & shall be just as much charmed with success & shall not feel that I am taking money from you.’ This is one of approximately 67 in the V&A's collection that was recently discovered to have belonged to him. Many are unique, which suggests that Cameron was not fully satisfied with them. Some may seem ‘defective’ but others are enhanced by their flaws. All of them contribute to our understanding of Cameron’s working process and the photographs that did meet her standards.
Object details
| Categories | |
| Object type | |
| Title | Madonna and Two Children (popular title) |
| Materials and techniques | Albumen print from wet collodion glass negative |
| Brief description | Photograph by Julia Margaret Cameron, 'Madonna and Two Children' (sitters Elizabeth Keown, Mary Kellaway, Alice Keown), albumen print, 1864 |
| Physical description | Half-length portrait of a woman (Mary Kellaway) dressed as the Madonna, looking to her left, holding two small children (Elizabeth and Alice Keown). |
| Dimensions |
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| Style | |
| Credit line | Given by Mrs Margaret Southam, 1941 |
| Subjects depicted | |
| Summary | Julia Margaret Cameron's mentor and friend, the artist G.F. Watts wrote to Cameron, ‘Please do not send me valuable mounted copies … send me any … defective unmounted impressions, I shall be able to judge just as well & shall be just as much charmed with success & shall not feel that I am taking money from you.’ This is one of approximately 67 in the V&A's collection that was recently discovered to have belonged to him. Many are unique, which suggests that Cameron was not fully satisfied with them. Some may seem ‘defective’ but others are enhanced by their flaws. All of them contribute to our understanding of Cameron’s working process and the photographs that did meet her standards. |
| Bibliographic references |
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| Collection | |
| Accession number | PH.345-1981 |
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| Record created | June 4, 2004 |
| Record URL |
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