A Judge
Bust
1829 (made)
1829 (made)
| Artist/Maker | |
| Place of origin |
This bust in wax represents a Judge facing straight ahead wearing a shoulder length wig.
Wax portraits had become popular during the 18th century in Britain, but some artists continued the tradition in this material during the early 19th century, especially before the invention of photography. They were often modelled from the life; a mould could be made from this initial model, from which further copies could be cast. The waxes were small and portable, and the nature of the material meant that they were extremely naturalistic. Sometimes they were coloured, and extra items added, such as textiles, seed pearls or coloured glass, to increase the life-like appearance of the portrayal.
Wax portraits had become popular during the 18th century in Britain, but some artists continued the tradition in this material during the early 19th century, especially before the invention of photography. They were often modelled from the life; a mould could be made from this initial model, from which further copies could be cast. The waxes were small and portable, and the nature of the material meant that they were extremely naturalistic. Sometimes they were coloured, and extra items added, such as textiles, seed pearls or coloured glass, to increase the life-like appearance of the portrayal.
Object details
| Category | |
| Object type | |
| Title | A Judge |
| Materials and techniques | Wax |
| Brief description | Bust, wax, English, Unknown, 1829 |
| Physical description | Wax bust. A judge, wearing a shoulder length wig, looking straight ahead. On a square plinth. |
| Credit line | Rupert Gunnis Bequest |
| Object history | Bequeathed by Rupert Gunnis. |
| Production | Previously attributed to T. Flint. |
| Summary | This bust in wax represents a Judge facing straight ahead wearing a shoulder length wig. Wax portraits had become popular during the 18th century in Britain, but some artists continued the tradition in this material during the early 19th century, especially before the invention of photography. They were often modelled from the life; a mould could be made from this initial model, from which further copies could be cast. The waxes were small and portable, and the nature of the material meant that they were extremely naturalistic. Sometimes they were coloured, and extra items added, such as textiles, seed pearls or coloured glass, to increase the life-like appearance of the portrayal. |
| Collection | |
| Accession number | A.80-1965 |
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| Record created | March 16, 2004 |
| Record URL |
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