Wheel Lock Pistol
1600-1625 (made)
| Artist/Maker | |
| Place of origin |
Arms and armour are rarely associated with art. However, they were influenced by the same design sources as other art forms including architecture, sculpture, goldsmiths' work, stained glass and ceramics. These sources had to be adapted to awkward shaped devices required to perform complicated technical functions. Armour and weapons were collected as works of art as much as military tools.
This wheel-lock pistol has a mechanism that enabled it to be carried loaded. The jaws of the lock clamped a piece of flint or a piece or pyrites designed to rub against the rough edge of the wheel projecting into the pan. The wheel was revolved at speed by a tightly coiled spring, wound by a separate spanner, and released when the gun's trigger was pulled causing sparks to ignite the gunpowder in the breech.
Sketches for wheel-locks were made by Leonardo da Vinci but their first common use was in Germany in around 1520 and they continued in use until the late seventeenth century. They were the first devices to fire guns mechanically and accelerated the development of firearms by negating the need for long and dangerous 'match' cords which had to be kept dry. The increasingly powerful gunpowder of the mid-16th century encouraged the development of smaller guns including the pistol, and many were fitted with wheel locks. A loaded pistol could be concealed under a cloak, to the concern of European rulers. Elizabeth I forbade anyone from carrying a mechanical firearm within 500 yards of a royal palace and in 1584 William the Silent was the first monarch to be assassinated with a wheel lock gun.
As technical devices wheel-locks attracted princely collectors. Many are finely chiselled and engraved as works of art, some even on their insides, to be taken apart and reassembled at pleasure. The stocks were also often decorated with fine bone and horn inlays drawing on the skills of furniture makers and engravers. Wheel-lock guns were expensive, however, and most ordinary gunners were equipped with the older style match-locks until well into the seventeenth century.
This wheel-lock pistol has a mechanism that enabled it to be carried loaded. The jaws of the lock clamped a piece of flint or a piece or pyrites designed to rub against the rough edge of the wheel projecting into the pan. The wheel was revolved at speed by a tightly coiled spring, wound by a separate spanner, and released when the gun's trigger was pulled causing sparks to ignite the gunpowder in the breech.
Sketches for wheel-locks were made by Leonardo da Vinci but their first common use was in Germany in around 1520 and they continued in use until the late seventeenth century. They were the first devices to fire guns mechanically and accelerated the development of firearms by negating the need for long and dangerous 'match' cords which had to be kept dry. The increasingly powerful gunpowder of the mid-16th century encouraged the development of smaller guns including the pistol, and many were fitted with wheel locks. A loaded pistol could be concealed under a cloak, to the concern of European rulers. Elizabeth I forbade anyone from carrying a mechanical firearm within 500 yards of a royal palace and in 1584 William the Silent was the first monarch to be assassinated with a wheel lock gun.
As technical devices wheel-locks attracted princely collectors. Many are finely chiselled and engraved as works of art, some even on their insides, to be taken apart and reassembled at pleasure. The stocks were also often decorated with fine bone and horn inlays drawing on the skills of furniture makers and engravers. Wheel-lock guns were expensive, however, and most ordinary gunners were equipped with the older style match-locks until well into the seventeenth century.
Object details
| Categories | |
| Object type | |
| Materials and techniques | Ebony inlaid with mother of pearl and engraved and stained stag-horn |
| Brief description | Wheel lock pistol, ebony stock decorated with stag-horn, mother of pearl and green-stained ivory, Germany (probably Nuremburg), 1600-25. |
| Physical description | The ebony stock is inlaid with figures in contemporary costume, amorous subjects and scenes of the chase executed in engraved mother of pearl and engraved and stained stag-horn. In the face of the stock opposite to the lock is inlaid a scene of a lady and three gentlemen at an al fresco meal accompanied by two minstrels. The engraving on the inlay work is of exceptionally fine quality. The lock of early 17th century type, has a finely chiselled pyrites holder in the form of a monster's head. The wheel-guide is formed as a dragon. The barrel is damascened in gold and silver with panels of arabesques. |
| Dimensions |
|
| Credit line | Murray Bequest |
| Object history | This pistol is one of a group of wheel-lock firearms all stocked in similar manner, in ebony inlaid with mother of pearl, stag-horn and green-stained ivory. Examples are to be seen in the Wallace Collection (A.1152/3) and in the Musée de L'Armée (M.1648 & M.1650). Many bear the Nuremburg town mark on the lock or barrel. |
| Historical context | Arms and armour are rarely associated with art. However, they were influenced by the same design sources as other art forms including architecture, sculpture, goldsmiths' work, stained glass and ceramics. These sources had to be adapted to awkward shaped devices required to perform complicated technical functions. Armour and weapons were collected as works of art as much as military tools. This wheel-lock pistol has a mechanism that enabled it to be carried loaded. The jaws of the lock clamped a piece of flint or a piece or pyrites designed to rub against the rough edge of the wheel projecting into the pan. The wheel was revolved at speed by a tightly coiled spring, wound by a separate spanner, and released when the gun's trigger was pulled causing sparks to ignite the gunpowder in the breech. Sketches for wheel-locks were made by Leonardo da Vinci but their first common use was in Germany in around 1520 and they continued in use until the late seventeenth century. They were the first devices to fire guns mechanically and accelerated the development of firearms by negating the need for long and dangerous 'match' cords which had to be kept dry. The increasingly powerful gunpowder of the mid-16th century encouraged the development of smaller guns including the pistol, and many were fitted with wheel locks. A loaded pistol could be concealed under a cloak, to the concern of European rulers. Elizabeth I forbade anyone from carrying a mechanical firearm within 500 yards of a royal palace and in 1584 William the Silent was the first monarch to be assassinated with a wheel lock gun. As technical devices wheel-locks attracted princely collectors. Many are finely chiselled and engraved as works of art, some even on their insides, to be taken apart and reassembled at pleasure. The stocks were also often decorated with fine bone and horn inlays drawing on the skills of furniture makers and engravers. Wheel-lock guns were expensive, however, and most ordinary gunners were equipped with the older style match-locks until well into the seventeenth century. |
| Summary | Arms and armour are rarely associated with art. However, they were influenced by the same design sources as other art forms including architecture, sculpture, goldsmiths' work, stained glass and ceramics. These sources had to be adapted to awkward shaped devices required to perform complicated technical functions. Armour and weapons were collected as works of art as much as military tools. This wheel-lock pistol has a mechanism that enabled it to be carried loaded. The jaws of the lock clamped a piece of flint or a piece or pyrites designed to rub against the rough edge of the wheel projecting into the pan. The wheel was revolved at speed by a tightly coiled spring, wound by a separate spanner, and released when the gun's trigger was pulled causing sparks to ignite the gunpowder in the breech. Sketches for wheel-locks were made by Leonardo da Vinci but their first common use was in Germany in around 1520 and they continued in use until the late seventeenth century. They were the first devices to fire guns mechanically and accelerated the development of firearms by negating the need for long and dangerous 'match' cords which had to be kept dry. The increasingly powerful gunpowder of the mid-16th century encouraged the development of smaller guns including the pistol, and many were fitted with wheel locks. A loaded pistol could be concealed under a cloak, to the concern of European rulers. Elizabeth I forbade anyone from carrying a mechanical firearm within 500 yards of a royal palace and in 1584 William the Silent was the first monarch to be assassinated with a wheel lock gun. As technical devices wheel-locks attracted princely collectors. Many are finely chiselled and engraved as works of art, some even on their insides, to be taken apart and reassembled at pleasure. The stocks were also often decorated with fine bone and horn inlays drawing on the skills of furniture makers and engravers. Wheel-lock guns were expensive, however, and most ordinary gunners were equipped with the older style match-locks until well into the seventeenth century. |
| Bibliographic reference | Hayward, J. F., European Firearms. London : HMSO, 1969, cat. 20 |
| Collection | |
| Accession number | M.1082-1910 |
About this object record
Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.
You can write to us to suggest improvements to the record.
Suggest feedback
You can write to us to suggest improvements to the record.
Suggest feedback
| Record created | March 15, 2004 |
| Record URL |
Download as: JSONIIIF Manifest
