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Not currently on display at the V&A

The Adoration of the Shepherds

Group
1680-1700 (made)
Artist/Maker
Place of origin

Against a background of ruined pillars and arches through which is seen a painted landscape the seated Virgin, holding a Child in her arms, leans forward towards a group of eight figures who stand and kneel to the right calling to one another with gestures of exclamation and wonder; at her knee, to the left, kneels another ragged figure with a trussed sheep at his side while behind three further shepherds listen to Joseph's description of the wonder. Above the Virgin are three flying cherubs holding a cross. The whole is encased in a roughly- made black painted wood box with a sliding glass front.


Object details

Categories
Object type
TitleThe Adoration of the Shepherds
Materials and techniques
Wax
Brief description
Wax, Italian, by Gaetano Giulio Zumbo, c.1680-1700
Physical description
Against a background of ruined pillars and arches through which is seen a painted landscape the seated Virgin, holding the Child in her arms, leans forward towards a group of eight figures who stand an kneel to the right calling to one another with gestures of exclamation and wonder; at her knee, to the left, kneels another ragged figure with a trussed sheep at his side while behind three further shepherds listen to Joseph's description of the wonder. Above the Virgin are three flying putti holding a cross. The whole is encased in roughly-made black painted wood box with a sliding glass frame.
Dimensions
  • Height: 61.5cm
  • Width: 84.5cm
  • Depth: 46cm
Credit line
Given by Mr Sigismund Goetze
Object history
The wax was bought by a dealer while travelling in Italy (?). It was then bought in London by Mr Henry Burney and repaired by him. Later it was put up at Christie's (in 1935 "two or three years ago") and sold to a "small dealer" from whom it was bought back by Mr Burney, who again repaired it and sold it to Mr Goetz.

Mr Burney added the manger, the pillar on the right, the column and two angels at the top (one in part only). These are in coloured plastic wax. Acording to Mr Burney the original figures were modelled in clay and moulds made, the moulds were then painted and the eyes inserted and the wax poured in. This took up the colour and the eyes.
Subjects depicted
Summary
Against a background of ruined pillars and arches through which is seen a painted landscape the seated Virgin, holding a Child in her arms, leans forward towards a group of eight figures who stand and kneel to the right calling to one another with gestures of exclamation and wonder; at her knee, to the left, kneels another ragged figure with a trussed sheep at his side while behind three further shepherds listen to Joseph's description of the wonder. Above the Virgin are three flying cherubs holding a cross. The whole is encased in a roughly- made black painted wood box with a sliding glass front.
Bibliographic references
  • Pratesi, Giovanni. Repertorio della scultura Fiorentina del Seicento e settecento. Umberto Allemandi. 1993. Vol. III. pl. 709.
  • Cagnelta, Francois. 'Gaetano Giulio Zummo (Siracusa 1656- Parigi 1701)' in Kunst des Barock in der Toskana- Stuchen zur kunst unter den letzten Medici. Munich 1976. pp. 216-7, note 20.
  • Pope-Hennessy, John. Catalogue of Italian Sculpture in the Victoria and Albert Museum. London: Her Majesty's Stationary Office, 1964. pp.632-3
  • Trusted, Marjorie. ed. The Making of Sculpture. The Materials and Techniques of European Sculpture. London. 2007. p.32, pl. 47.
Collection
Accession number
A.3-1935

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Record createdMarch 12, 2004
Record URL
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