Anna, daughter of Geirge II, wife of William IV, Prince of Orange-Nassau (1709-1759)
Medalllion
1st half 18th century (made)
1st half 18th century (made)
| Artist/Maker | |
| Place of origin |
This wax relief depicts Anna (1709-1759), daughter of George II and wife of William IV, Prince of Orange-Nassau.
Wax is used as a sculpting material for preliminary models and for works in their own right. It is quick and easy to shape, yet also cheap. Once softened, it is modelled in a similar way to clay, with the composition built up gradually. To enhance the wax, pigment can be added before moulding and pearls or other jewels can be embedded in the surface afterwards. Wax was first used to make works of art, as opposed to models, in Italy around 1510.
Wax is used as a sculpting material for preliminary models and for works in their own right. It is quick and easy to shape, yet also cheap. Once softened, it is modelled in a similar way to clay, with the composition built up gradually. To enhance the wax, pigment can be added before moulding and pearls or other jewels can be embedded in the surface afterwards. Wax was first used to make works of art, as opposed to models, in Italy around 1510.
Object details
| Categories | |
| Object type | |
| Title | Anna, daughter of Geirge II, wife of William IV, Prince of Orange-Nassau (1709-1759) |
| Materials and techniques | Wax |
| Brief description | Medallion, relief in wax, Anna, wife of William IV, Prince of Orange-Nassau, Dutch, first half of the 18th century |
| Physical description | Oval medallion, bust to left. |
| Dimensions |
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| Credit line | Murray Bequest |
| Object history | From the Murray bequest. |
| Production | The frame is of a later date. |
| Subjects depicted | |
| Summary | This wax relief depicts Anna (1709-1759), daughter of George II and wife of William IV, Prince of Orange-Nassau. Wax is used as a sculpting material for preliminary models and for works in their own right. It is quick and easy to shape, yet also cheap. Once softened, it is modelled in a similar way to clay, with the composition built up gradually. To enhance the wax, pigment can be added before moulding and pearls or other jewels can be embedded in the surface afterwards. Wax was first used to make works of art, as opposed to models, in Italy around 1510. |
| Associated object | A.1060-1910 (Ensemble) |
| Bibliographic references |
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| Collection | |
| Accession number | A.1061-1910 |
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| Record created | March 11, 2004 |
| Record URL |
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