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Image of Gallery in South Kensington
On display at V&A South Kensington
Silver, Room 67, The Whiteley Galleries

Plateau

ca. 1810 (made)
Artist/Maker
Place of origin

The silver mirror plateau as an adornment for the centre of the table was adopted in England as another French refinement of dining practice. Introduced about 1750, the mirror plateau was a more practical alternative to the water features that adorned the tables of the European aristocracy. In the grandest homes, they became a standard feature on tables, in the prosperous decades after 1800. Candelabra, dessert stands and comports (a type of dessert dish raised on a stand) could be disposed elegantly on the plateau and benefit from the extra sparkle from the mirrored surface. By this period the plateau stayed on the table throughout the meal. Although plateau fell out of favour for a short period in the mid 19th century by the 1870s, in England at least, they were fashionable again.


Object details

Categories
Object type
Parts
This object consists of 3 parts.

  • Plateau (Section)
  • Plateau (Section)
  • Plateau (Section)
Materials and techniques
Sheffield plate, a laminate of sterling silver fused on to a copper core and mirror base
Brief description
Sheffield plate, mirror base, Sheffield?, ca.1810
Physical description
'Sheffield plate', oblong with rounded ends, in three parts, resting on eight pairs of tapering feet, each supporting a panel of anthemion (a type of floral ornament that recalls a palm leaf) slightly projecting beyond the rim, which is pierced with arcading.
Dimensions
  • Height: 7.8cm
  • Length: 129.1cm
  • Width: 45.5cm
Marks and inscriptions
No marks
Credit line
Bequeathed by Miss M.B. Hudson
Object history
Miss M.B. Hudson Bequest

Historical significance: This is a particularly fine example of a mirror plateau. The process of fusing silver to copper, patented as 'Sheffield plate', provided customers with tablewares that were as visually dazzling as silver, but at a lower price. Yet despite the difference in materials and value, silver and Sheffield plate were appreciated alike as luxury items.
Historical context
The silver mirror plateau as an adornment for the centre of the table was adopted in England as another French refinement of dining practice. Introduced about 1750, the mirror plateau was a more practical alternative to the water features that adorned the tables of the European aristocracy. They also reflected candlelight and tableware, thereby raising light levels during an evening dinner and giving the illusion that there were more vessels and foodstuffs laid out before guests. In the grandest homes, they became a standard feature on tables, in the prosperous decades after 1800. Candelabra, dessert stands and comports (a type of dessert dish raised on a stand) could be disposed elegantly on the plateau and benefit from the extra sparkle from the mirrored surface. By this period the plateau stayed on the table throughout the meal. Although plateau fell out of favour for a short period in the mid 19th century by the 1870s, in England at least, they were fashionable again.
Subject depicted
Summary
The silver mirror plateau as an adornment for the centre of the table was adopted in England as another French refinement of dining practice. Introduced about 1750, the mirror plateau was a more practical alternative to the water features that adorned the tables of the European aristocracy. In the grandest homes, they became a standard feature on tables, in the prosperous decades after 1800. Candelabra, dessert stands and comports (a type of dessert dish raised on a stand) could be disposed elegantly on the plateau and benefit from the extra sparkle from the mirrored surface. By this period the plateau stayed on the table throughout the meal. Although plateau fell out of favour for a short period in the mid 19th century by the 1870s, in England at least, they were fashionable again.
Bibliographic references
  • Brown, Peter B. Pleasures of the Table: Ritual and Display in the European Dining Room, 1600-1900. York: York Civic Trust, 1997. pp.39-40. Catalogue of the exhibition held Fairfax House, York, 1st September - 20th November 1997. ISBN 0948939117.
  • Eatwell, Ann. The Dining Table. In : Michael Snodin and John Styles, eds, Design & the Decorative Arts: Britain 1500-1900. London: V&A, 2001. pp.416-17. ISBN 1851774211.
  • Neville, Henry. A Taste of the Past. The Antique Collector. Jan.-Feb. 1996, vol.67. pp.56-61.
  • Clifford, Helen. Innovation or Emulation? Silverware and Its Imitations in Britain 1750-1800. The Consumers' Point of View. History of Technology. 2001, vol. 23. pp.59-80.
Collection
Accession number
M.334:1 to 3-1922

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Record createdMarch 11, 2004
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