Image of Gallery in South Kensington
On display at V&A South Kensington
South Asia Gallery, Room 41

Dasaratha and Rama

Painting
ca. 1690 - ca. 1700 (made)
Artist/Maker
Place of origin

This painting shows King Dasaratha embracing his son, Rama, who is an incarnation of the Hindu god Vishnu. It is an illustration of a scene from the great Hindu epic, the Ramayana.

Rama, depicted blue-skinned, reassures Dasaratha, who was anxious about Rama’s safety after his confrontation with Parasurama, in an episode from the first book of the Ramayana. The three princes on horseback in front of the chariot are Rama's brothers. The painting is part of a series formerly in the ancestral collection of Raja Raghbir Singh of Shangri, descendant of the rulers of Kulu, in the Punjab Hills of northern India.


Object details

Categories
Object type
TitleDasaratha and Rama (generic title)
Materials and techniques
Painted in opaque watercolour on paper
Brief description
Painting, Dasaratha embracing Rama, from the 'Shangri' Ramayana series, opaque watercolour on paper, Kulu, ca. 1690-1710
Physical description
Painting, opaque watercolour on paper, showing King Dasaratha embracing his son Rama. Rama, depicted blue, has climbed into his father's chariot. Rama's three brothers, mounted on horses, watch the scene. Behind them is a group of horsemen and an elephant with a rider. Illustration to the 'Shangri' Ramayana series, Style II.
Dimensions
  • Height: 220mm (maximum)
  • Width: 318mm (maximum)
  • Image within innermost painted borders height: 190mm (maximum)
  • Image within innermost painted borders width: 291mm (maximum)
24/07/2013 dimensions measured as part of Indian Paintings Cataloguing Project 2013
Content description
King Dasaratha embracing his son Rama. Rama, depicted blue, has climbed into his father's chariot. Rama's three brothers, mounted on horses, watch the scene. Behind them is a group of horsemen and an elephant with a rider.
Style
Marks and inscriptions
(In Nagari characters, on the reverse. The scene is from the Ramayana, part 1, Bala kanda)
Transliteration
'81 bala'
Gallery label
DASARATHA EMBRACES RAMA Illustration of a scene from the Ramayana Opaque watercolour on paper Kulu or Bahu, Punjab Hills; from the 'Shangri' Ramayana c.1690-1710 IS 12-1966 King Dasaratha was the father of Rama, the hero of the epic Ramayana and an incarnation of the god Vishnu. Rama, depicted blue, re-assures Dasaratha, who was anxious about Rama's safety after his confrontation with Parasurama, in an episode from the first book of the Ramayana. The painting is part of a series formerly in the ancestral collection of Raja Raghbir Singh of Shangri, descendant of the rulers of Kulu.(2000)
Production
From the ‘Shangri’ Ramayana series. Archer (1973) attributes paintings of this series to Kulu. Goswamy and Fischer (1992) attribute them to painter(s) active at Bahu.
Subjects depicted
Literary referenceRamayana
Summary
This painting shows King Dasaratha embracing his son, Rama, who is an incarnation of the Hindu god Vishnu. It is an illustration of a scene from the great Hindu epic, the Ramayana.

Rama, depicted blue-skinned, reassures Dasaratha, who was anxious about Rama’s safety after his confrontation with Parasurama, in an episode from the first book of the Ramayana. The three princes on horseback in front of the chariot are Rama's brothers. The painting is part of a series formerly in the ancestral collection of Raja Raghbir Singh of Shangri, descendant of the rulers of Kulu, in the Punjab Hills of northern India.
Bibliographic references
  • Indian paintings from the Punjab Hills : a survey and history of Pahari miniature painting / by W. G. Archer ; foreword by Sherman E. Lee. London :Delhi: Sotheby Parke Bernet ;Oxford University Press, 1973 Number: 0856670022 p. p. 327, cat. no. 3i.
  • For information on the series this painting is from, see: GOSWAMY, B.N. and Eberhard Fischer, Pahari Masters, Artibus Asiae Publishers Supplementum XXXVIII and Museum Rietberg, Zürich, 1992, pp.76-81
Collection
Accession number
IS.12-1966

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Record createdMarch 10, 2004
Record URL
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