Several fragments of pattern woven red silk with blue, pink, yellow, white and green design

12 fragments, of which 11 are polychrome patterned weave red silk with unidentified design in blue, pale blue, white, pink, yellow and green. Five of the fragments comprise two fabrics joined with a seam. Tiny plain woven silk fragments and silk thread of various colours are entangled to the red silk fragments. Some fragments appear to have remains of Chinese characters. 12th fragment is a strip of plain woven red silk, now discoloured, and with one selvedge intact.

Weave structures:
1. Fragments of samite
Main warp: silk, single, redish brown, 15 warps/cm; Binding warp: silk, single, redish brown, 15 warps/cm; Weft: silk, dark blue, light blue, green, pink, white and yellow, 17 wefts/cm. Weave structure: 1/2Z compound twill weft faced on both sides
2. Fragments of damask on plain weave
Warp: silk, single, red, 61 warps/cm; Weft: silk, single, red, 41 wefts/cm. Weave structure: 1/5Z twill for pattern on 1/1 plain weave for foundation

Stein Textile Loan Collection. On loan from the Government of India and the Archaeological Survey of India. Copyright: Government of India.

Fragments have been housed with Ch.00176.a-b and at some point have become unattached from the original number. These fragments do not match up to the desciption in Stein's 'Serindia'.

Dunhuang is at the eastern end of the southern Silk Road, in present-day Gansu Province. It lies between the western reaches of China and the Tarim Basin. When China began to expand into Central Asia during the Han Dynasty (206 BC-220 AD), Dunhuang served as a base for military operations and trade. In the succeeding centuries, Buddhist shrines were established southeast of Dunhuang in a series of man-made caves called Qianfodong, "Caves of the Thousand Buddhas" (today also known as the Mogao Grottoes). Here spectacular cave temples were cut out of the cliffs, beginning in the fourth century AD. Over a period of several centuries, communities of Buddhist monks filled the caves with splendid sculpture and wall paintings. These included colossal Buddha statues, painted clay sculptures of deities, elaborate murals of Buddhist legends, and thousands of tiny painted Buddha images; all of which gave the site its name, Qianfodong. Buddhist cave temples had first been established in at Bamiyan (Afghanistan) and Gandhara (formerly in India, now Pakistan). At Qianfodong, Stein found paintings of graceful figures in the Gandharan style among landscapes and buildings that were distinctly Chinese; a fusion of Indian and Chinese art, which he had noted elsewhere along the Silk Road.

In 1900, a Daoist monk named Wang Yuanlu discovered a secret cave at Qianfodung, which contained thousands of documents and paintings. Stein purchased a significant amount of this material from Wang during his visit to the Dunhuang in 1907. Among the many religious works were Buddhist, Jewish, Nestorian, Daoist and Confucian texts; all of which dated from approximately 400 to 1000 A.D. Numerous languages were represented as well, including Chinese, Sanskrit, Tibetan and Hebrew. Stein also acquired many textile pieces. Most of these were silk, for Dunhuang lay on the main trade route between silk-growing regions of China and Central Asia. Elaborate embroideries depicted Buddhist legends and processions of donors. Patterned silks included Chinese and Sassanian (Persian) designs. From China came floral and geometric patterns, combined with figures of animals and birds. Sassanian motifs included pairs of confronted ducks, lions, and other beasts, combined with medallions and quatrefoils. Stein also found undecorated silks used as processional banners and valances for decorating bases of statues. The cave was sealed soon after 1000 A.D., apparently to protect the contents from invading armies. The V&A holds, on loan, a large number of textiles from Dunhuang, including plain and pattern woven silks in many colours, painted Buddhist banners and canopies, and wrappers for Buddhist texts.

Similar to fragments found in Cave 17 of the Mogao Grottoes (Caves of the Thousand Buddhas).

These textile strips (damask and samite) consist of one plain woven red silk fragment and 11 fragments of pattern woven red silk with an unidentified design in blue, pale blue, white, pink, yellow and green. Some fragments appear to have remains of Chinese characters on them. It is unclear what these textiles would have been used for, although they are likely to have had a decorative purpose. They were recovered from Cave 17 of the shrine site of the Mogao Grottoes, one of China's great Buddhist pilgrimage complexes which is situated near the oasis town of Dunhuang.

The site is also part of an area of Central Asia we now call the Silk Road, a series of overland trade routes that crossed Asia from China to Europe. The most notable item traded was silk. Camels and horses were used as pack animals and merchants passed the goods from oasis to oasis. The Silk Road was also important for the exchange of ideas. Whilst silk textiles travelled west from China, Buddhism entered China from India in this way.

These textiles were brought back from Central Asia by the explorer and archaeologist Sir Marc Aurel Stein (1862-1943). The V&A has around 650 ancient and medieval textiles recovered from the Silk Road by Stein at the beginning of the 20th century. Some are silk while others are made from the wool of a variety of different animals

LOAN:STEIN.641