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Painting - Rai Surjan Hada making Submission to Akbar
  • Rai Surjan Hada making Submission to Akbar
    Mukund
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Rai Surjan Hada making Submission to Akbar

  • Object:

    Painting

  • Place of origin:

    India (possibly, made)
    Pakistan (possibly, made)

  • Date:

    1590-1595 (painted)

  • Artist/Maker:

    Mukund (artist)
    Shankar (artist)

  • Materials and Techniques:

    Opaque watercolour and gold on paper

  • Museum number:

    IS.2:75-1896

  • Gallery location:

    In Storage

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This illustration to the Akbarnama (Book of Akbar) was designed by the Mughal court artist Mukund and painted by Shankar. It depicts Rai Surjan Hada, the ruler of Ranthambhor in north-west India, submitting to the Mughal emperor Akbar (r.1556–1605) in 1569, after a fiercely fought campaign of immense strategic importance to the expanding Mughal empire. Akbar is shown seated on a throne under a canopy, with the raja bowing in submission before him.

The Akbarnama was commissioned by Akbar as the official chronicle of his reign. It was written in Persian by his court historian and biographer, Abu’l Fazl, between 1590 and 1596, and the V&A’s partial copy of the manuscript is thought to have been illustrated between about 1592 and 1595. This is thought to be the earliest illustrated version of the text, and drew upon the expertise of some of the best royal artists of the time. Many of these are listed by Abu’l Fazl in the third volume of the text, the A’in-i Akbari, and some of these names appear in the V&A illustrations, written in red ink beneath the pictures, showing that this was a royal copy made for Akbar himself. After his death, the manuscript remained in the library of his son Jahangir, from whom it was inherited by Shah Jahan.

The V&A purchased the manuscript in 1896 from Frances Clarke, the widow of Major General John Clarke, who bought it in India while serving as Commissioner of Oudh between 1858 and 1862.

Physical description

Depicts Rai Surjan Hada, the ruler of Ranthambhor, submitting to Akbar. Akbar is shown seated on a throne under a canopy. The Raja is shown bowing in submission before the emperor.

Place of Origin

India (possibly, made)
Pakistan (possibly, made)

Date

1590-1595 (painted)

Artist/maker

Mukund (artist)
Shankar (artist)

Materials and Techniques

Opaque watercolour and gold on paper

Marks and inscriptions

Tarh Mukund
Amal Shankar composition by Mukund
work [=painting] by Shankar

Dimensions

Height: 34 cm average, Width: 21 cm average

Object history note

The Akbarnama was commissioned by Akbar as an official chronicle of his reign. It was written by his court historian and biographer Abu'l Fazl around 1590, and illustrated during the same decade by at least forty-nine different artists from Akbar's studio. After Akbar's death, the manuscript remained in the library of his son, Jehangir. The Victoria and Albert Museum purchased it in 1896 from the widow of major General Clarke, an official who served as the Commissioner in Oudh province.

Historical significance: It is thought to be the first illustrated copy of the Akbarnama. It drew upon the expertise of some of the best royal painters of the time, many of whom receive special mention by Abu'l Fazl in the A'in-i-Akbari. The inscriptions in red ink on the bottom of the paintings name the artists.

Descriptive line

Rai Surjan Hada, ruler of Ranthambhor, Rajasthan, making submission to Akbar in 1569. Painting from the Akbarnama, 1590-1595.

Bibliographic References (Citation, Note/Abstract, NAL no)

Geeti Sen, Paintings from the Akbar Nama, Lustre Press Pvt Ltd, page 126

Associated names

Fazl, Abu'l

Materials

Paper; Gold

Techniques

Painted; Contour drawing

Subjects depicted

Akbar

Categories

Paintings

Collection code

SSEA

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Qr_O9608
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