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Painting - The Wounding of Khan Kilan by Rajputs

The Wounding of Khan Kilan by Rajputs

  • Object:

    Painting

  • Place of origin:

    India (possibly, made)
    Pakistan (possibly, made)

  • Date:

    1590-1595 (painted)

  • Artist/Maker:

    Miskina (artist)
    Kesav Khord (artist)

  • Materials and Techniques:

    Opaque watercolour and gold on paper

  • Museum number:

    IS.2:87-1896

  • Gallery location:

    In Storage

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This illustration to the Akbarnama (Book of Akbar) depicts an episode in 1572 during the march of Mughal forces led by Khan Kilan to Gujarat in north-west India, during the extended campaign to conquer this independent kingdom. Khan Kilan’s army was the vanguard and passed through the Rajput territory of Sirohi. The Rajput chief, Man Singh Deohra, sent envoys to Khan Kilan but at the end of their audience one of the envoys stabbed the Mughal general in the shoulder. Khan Kilan’s men leapt forward and killed the attacker and his companions. The composition was designed by the Mughal court artist Miskina and the painting done by Kesav Khord, or Kesav the Younger.

The Akbarnama was commissioned by the Mughal emperor Akbar (r.1556–1605) as the official chronicle of his reign. It was written in Persian by his court historian and biographer, Abu’l Fazl, between 1590 and 1596, and the V&A’s partial copy of the manuscript is thought to have been illustrated between about 1592 and 1595. This is thought to be the earliest illustrated version of the text, and drew upon the expertise of some of the best royal artists of the time. Many of these are listed by Abu’l Fazl in the third volume of the text, the A’in-i Akbari, and some of these names appear in the V&A illustrations, written in red ink beneath the pictures, showing that this was a royal copy made for Akbar himself. After his death, the manuscript remained in the library of his son Jahangir, from whom it was inherited by Shah Jahan.

The V&A purchased the manuscript in 1896 from Frances Clarke, the widow of Major General John Clarke, who bought it in India while serving as Commissioner of Oudh between 1858 and 1862.

Physical description

Depicts an episode during the march of Khan Kilan to the Gujarat. The image is overlaid by a band of text extending from the upper left hand margin of the image.

Place of Origin

India (possibly, made)
Pakistan (possibly, made)

Date

1590-1595 (painted)

Artist/maker

Miskina (artist)
Kesav Khord (artist)

Materials and Techniques

Opaque watercolour and gold on paper

Marks and inscriptions

Tarh Miskina
Amal Kesav Khord composition by Miskina
work [i.e. painting] by Kesav Khord

Dimensions

Height: 38.1 cm folio, Width: 22.4 cm folio

Object history note

The Akbarnama was commissioned by the emperor Akbar as the official chronicle of his reign. It was written by his court historian and biographer Abu'l Fazl between 1590 and 1596 and is thought to have been illustrated between about 1592 and 1594 by at least 49 different artists from Akbar's studio. After Akbar's death in 1605, the manuscript remained in the library of his son, Jahangir (r. 1605-1627) and later Shah Jahan (r.1628-1658). The Victoria and Albert Museum purchased it in 1896 from Mrs Frances Clarke, the widow of Major-General John Clarke, who bought it in India while serving as Commissioner of Oudh between 1858 and 1862.

Historical significance: It is thought to be the first illustrated copy of the Akbarnama. It drew upon the expertise of some of the best royal painters of the time, many of whom receive special mention by Abu'l Fazl in the A'in-i-Akbari. The inscriptions in red ink on the bottom of the paintings name the artists.

Descriptive line

The wounding of Khan Kilan by Rajputs during his march. Painting from the Akbarnama, 1590-1595.

Associated names

Fazl, Abu'l

Materials

Paper; Gold

Techniques

Painted; Contour drawing

Categories

Paintings

Collection code

SSEA

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Qr_O9535
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