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Mir Muizzu'l Mulk and Bahadur Khan

Painting
ca. 1590-95 (made)
Artist/Maker
Place of origin

This image from the Akbarnama depicts an interview between the royal Mughal emissary Mir Muiz al-Mulk and the rebel Bahadur Khan. Seated figures are shown in a tiled royal pavilion under a chenar tree.

The Akbarnama was commissioned by the emperor Akbar as the official chronicle of his reign. It was written by his court historian and biographer Abu'l Fazl between 1590 and 1596 and is thought to have been illustrated between about 1592 and 1594 by at least 49 different artists from Akbar's studio. After Akbar's death in 1605, the manuscript remained in the library of his son, Jahangir (r. 1605-1627) and later Shah Jahan (r.1628-1658). The Victoria and Albert Museum purchased it in 1896 from Mrs Frances Clarke, the widow of Major-General John Clarke, who bought it in India while serving as Commissioner of Oudh between 1858 and 1862.

Object details

Categories
Object type
TitleMir Muizzu'l Mulk and Bahadur Khan (generic title)
Materials and techniques
Painted in opaque watercolour and gold on paper
Brief description
Painting, Akbarnama, interview between Mir Muizzu'l Mulk and Bahadur Khan, by Farrokh Beg, opaque watercolour and gold on paper, Mughal, ca. 1590-95
Physical description
Painting, in opaque watercolour and gold on paper, an interview between the royal emissary Mir Muiz al-Mulk and the rebel Bahadur Khan. Seated figures are shown in a tiled royal pavilion under a chenar tree.
Dimensions
  • Painting height: 27.2cm
  • Painting width: 17.2cm
Content description
An interview between the royal emissary Mir Muiz al-Mulk and the rebel Bahadur Khan. Seated figures are shown in a tiled royal pavilion under a chenar tree.
Styles
Marks and inscriptions
(This is a contemporary attribution written in Persian in red ink below the painting in the margin.)
Translation
'Work of Farrokh Beg'
Transliteration
'amal Farrukh Beg'
Credit line
Purchased from Mrs. Clarke, The Dingle, Sydenham Hill, S. E
Object history
The Akbarnama, or "Book of Akbar", was commissioned by the emperor Akbar as the official chronicle of his reign. It was written by 1590 and 1596 and is thought to have been illustrated between ca. 1592 and 1594 by at least forty-nine different artists from Akbar's studio. After Akbar's death in 1605, the manuscript remained in the library of his son, Jahangir (r.1605-1627) and later Shah Jahan (r.1628-1658). The Victoria and Albert Museum purchased it in 1896 from Mrs. Frances Clarke, the widow of Major General John Clarke, an official who had been the Commissioner in Oudh province between 1858 and 1862.

Historical significance: It is thought to be the first illustrated copy of the Akbarnama. It drew upon the expertise of some of the best royal painters of the time, many of whom receive special mention by Abu'l Fazl in the A'in-i-Akbari, the third volume of the Akbarnama. The inscriptions in red ink on the bottom of the paintings refer to the artists and indicate that this was a royal copy.

Purchased from Mrs. Clarke, The Dingle, Sydenham Hill, S. E. This acquisition information reflects that found in the Museum records (Asia Department registers and/or Central Inventory) as part of a 2023 provenance research project.

Registered Papers: 85488/95
Production
Composed and painted by Farrokh Beg.
Attribution place is likely to be Delhi, Agra or Fatehpur Sikri.
Subjects depicted
Association
Literary referenceAkbarnama
Summary
This image from the Akbarnama depicts an interview between the royal Mughal emissary Mir Muiz al-Mulk and the rebel Bahadur Khan. Seated figures are shown in a tiled royal pavilion under a chenar tree.

The Akbarnama was commissioned by the emperor Akbar as the official chronicle of his reign. It was written by his court historian and biographer Abu'l Fazl between 1590 and 1596 and is thought to have been illustrated between about 1592 and 1594 by at least 49 different artists from Akbar's studio. After Akbar's death in 1605, the manuscript remained in the library of his son, Jahangir (r. 1605-1627) and later Shah Jahan (r.1628-1658). The Victoria and Albert Museum purchased it in 1896 from Mrs Frances Clarke, the widow of Major-General John Clarke, who bought it in India while serving as Commissioner of Oudh between 1858 and 1862.
Bibliographic reference
Susan Stronge, Painting for the Mughal Emperor. The Art of the Book 1560-1650, V&A Publications, 2002, pl. 28, p. 44. Susan Stronge. ‘Collecting Mughal Art at the Victoria and Albert Museum’, in Stephen Vernoit, ed. Discovering Islamic Art. Scholars, Collectors and Collections, 1850-1950. I.B. Tauris, London, 2000, pp. 85-95 (fig. 17, p. 90).
Other number
133 - inscription/original number
Collection
Accession number
IS.2:96-1896

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Record createdNovember 5, 1998
Record URL
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