Image of Gallery in South Kensington
On display at V&A South Kensington
Silver, Room 67, The Whiteley Galleries

Salt Cellar

1899-1900 (made)
Artist/Maker
Place of origin

This salt cellar is the most explicit symbolist design that Ashbee produced for the Guild of Handicraft. The winged figure supporting a sphere is not unlike the Renaissance motif of Atlas upholding the world. It represents the winged spirit of imagination and idealism, the embodiment of Ashbee's ambitions.

Ashbee and his fellow guildsmen sought to promote a natural and ethical approach towards craftsmanship. Besides adopting the aesthetic principles of the Arts and Crafts movement in which the transformational potential of creativity was re-integrated into daily life through art, their social orientation was towards equality and co-operation beyond the workshop. This was manifest, for instance, in profit sharing and communal activities such as sport and music making.

Ashbee and his Guild reacted against mechanical, highly finished silver products manufacture on production lines in large scale factories. It attempted to re-assert the role of the individual craftsmen who could see the creation of an item through from start to finish. Hammer marks are clearly visible on the surface of this bowl; a deliberate finish to emphasise that it was hand made.


Object details

Categories
Object type
Parts
This object consists of 2 parts.

  • Salt Cellar
  • Lid
Materials and techniques
Silver, parcel gilt with cast, chased and applied decoration set with carnelians
Brief description
Salt Cellar, Silver, parcel gilt with cast, chased and applied decoration set with carnelians, Designed and made by C. R. Ashbee, London, 1899-1900
Dimensions
  • Height: 16.75cm
  • Length: 5.25cm
  • Width: 5.75cm
  • Weight: 162.6g
Style
Marks and inscriptions
Lid: maker CRA for CR Ashbee, date D, leopard Bowl: sterling, maker
Object history
This salt cellar is the most explicit symbolist design that Ashbee produced for the Guild of Handicraft. The winged figure supporting a sphere is not unlike the Renaissance motif of Atlas upholding the world. It represents the winged spirit of imagination and idealism, the embodiment of Ashbee's ideals.
Exhibition R.F.2002/1174
Summary
This salt cellar is the most explicit symbolist design that Ashbee produced for the Guild of Handicraft. The winged figure supporting a sphere is not unlike the Renaissance motif of Atlas upholding the world. It represents the winged spirit of imagination and idealism, the embodiment of Ashbee's ambitions.

Ashbee and his fellow guildsmen sought to promote a natural and ethical approach towards craftsmanship. Besides adopting the aesthetic principles of the Arts and Crafts movement in which the transformational potential of creativity was re-integrated into daily life through art, their social orientation was towards equality and co-operation beyond the workshop. This was manifest, for instance, in profit sharing and communal activities such as sport and music making.

Ashbee and his Guild reacted against mechanical, highly finished silver products manufacture on production lines in large scale factories. It attempted to re-assert the role of the individual craftsmen who could see the creation of an item through from start to finish. Hammer marks are clearly visible on the surface of this bowl; a deliberate finish to emphasise that it was hand made.
Collection
Accession number
CIRC.58&A-1959

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Record createdMarch 3, 2004
Record URL
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