Mirza Ibrahim Husain
Painting
ca. 1590-95 (made)
ca. 1590-95 (made)
| Artist/Maker | |
| Place of origin |
This painting is the left side of a double-page composition from the Akbarnama (Book of Akbar). The right side is Museum no. IS.2:104-1896. The composition as a whole was designed by the Mughal court artist Tulsi Kalan, with the painting on this side done by Khem Karan. This page depicts Mirza Ibrahim Husain hunting. Ibraham Husain, like the Mughal emperor Akbar (r.1556–1605), was descended from the great Central Asian ruler Timur, and his family frequently organised rebellions against Mughal rule in South Asia.
The Akbarnama was commissioned by Akbar as the official chronicle of his reign. It was written in Persian by his court historian and biographer, Abu’l Fazl, between 1590 and 1596, and the V&A’s partial copy of the manuscript is thought to have been illustrated between about 1592 and 1595. This is thought to be the earliest illustrated version of the text, and drew upon the expertise of some of the best royal artists of the time. Many of these are listed by Abu’l Fazl in the third volume of the text, the A’in-i Akbari, and some of these names appear in the V&A illustrations, written in red ink beneath the pictures, showing that this was a royal copy made for Akbar himself. After his death, the manuscript remained in the library of his son Jahangir, from whom it was inherited by Shah Jahan.
The V&A purchased the manuscript in 1896 from Frances Clarke, the widow of Major General John Clarke, who bought it in India while serving as Commissioner of Oudh between 1858 and 1862.
The Akbarnama was commissioned by Akbar as the official chronicle of his reign. It was written in Persian by his court historian and biographer, Abu’l Fazl, between 1590 and 1596, and the V&A’s partial copy of the manuscript is thought to have been illustrated between about 1592 and 1595. This is thought to be the earliest illustrated version of the text, and drew upon the expertise of some of the best royal artists of the time. Many of these are listed by Abu’l Fazl in the third volume of the text, the A’in-i Akbari, and some of these names appear in the V&A illustrations, written in red ink beneath the pictures, showing that this was a royal copy made for Akbar himself. After his death, the manuscript remained in the library of his son Jahangir, from whom it was inherited by Shah Jahan.
The V&A purchased the manuscript in 1896 from Frances Clarke, the widow of Major General John Clarke, who bought it in India while serving as Commissioner of Oudh between 1858 and 1862.
Object details
| Categories | |
| Object type | |
| Title | Mirza Ibrahim Husain (generic title) |
| Materials and techniques | Painted in opaque watercolour and gold on paper |
| Brief description | Painting, Akbarnama, Mirza Ibrahim Husain hunting, defeat by imperial troops, by Khem Karan, opaque watercolour and gold on paper, Mughal, ca. 1590-95 |
| Physical description | Painting, in opaque watercolour and gold on paper, left side of a double picture, the right side being IS.2:104-1896. Mirza Ibrahim Husain hunting, a band of hunters emerging from a walled city. A band of text overlays the image, extending from the top left hand margin. |
| Dimensions |
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| Content description | Mirza Ibrahim Husain hunting, a band of hunters emerging from a walled city. |
| Styles | |
| Marks and inscriptions | (Contemporary librarian's attribution in Persian written beneath the image at the bottom of the page in red ink.)
|
| Credit line | Purchased from Mrs. Clarke, The Dingle, Sydenham Hill, S. E |
| Object history | The Akbarnama, or "Book of Akbar", was commissioned by the emperor Akbar as the official chronicle of his reign. It was written by 1590 and 1596 and is thought to have been illustrated between ca. 1592 and 1594 by at least forty-nine different artists from Akbar's studio. After Akbar's death in 1605, the manuscript remained in the library of his son, Jahangir (r.1605-1627) and later Shah Jahan (r.1628-1658). The Victoria and Albert Museum purchased it in 1896 from Mrs. Frances Clarke, the widow of Major General John Clarke, an official who had been the Commissioner in Oudh province between 1858 and 1862. Historical significance: It is thought to be the first illustrated copy of the Akbarnama. It drew upon the expertise of some of the best royal painters of the time, many of whom receive special mention by Abu'l Fazl in the A'in-i-Akbari, the third volume of the Akbarnama. The inscriptions in red ink on the bottom of the paintings refer to the artists and indicate that this was a royal copy. Purchased from Mrs. Clarke, The Dingle, Sydenham Hill, S. E. This acquisition information reflects that found in the Museum records (Asia Department registers and/or Central Inventory) as part of a 2023 provenance research project. Registered Papers: 85488/95 |
| Subjects depicted | |
| Association | |
| Literary reference | Akbarnama |
| Summary | This painting is the left side of a double-page composition from the Akbarnama (Book of Akbar). The right side is Museum no. IS.2:104-1896. The composition as a whole was designed by the Mughal court artist Tulsi Kalan, with the painting on this side done by Khem Karan. This page depicts Mirza Ibrahim Husain hunting. Ibraham Husain, like the Mughal emperor Akbar (r.1556–1605), was descended from the great Central Asian ruler Timur, and his family frequently organised rebellions against Mughal rule in South Asia. The Akbarnama was commissioned by Akbar as the official chronicle of his reign. It was written in Persian by his court historian and biographer, Abu’l Fazl, between 1590 and 1596, and the V&A’s partial copy of the manuscript is thought to have been illustrated between about 1592 and 1595. This is thought to be the earliest illustrated version of the text, and drew upon the expertise of some of the best royal artists of the time. Many of these are listed by Abu’l Fazl in the third volume of the text, the A’in-i Akbari, and some of these names appear in the V&A illustrations, written in red ink beneath the pictures, showing that this was a royal copy made for Akbar himself. After his death, the manuscript remained in the library of his son Jahangir, from whom it was inherited by Shah Jahan. The V&A purchased the manuscript in 1896 from Frances Clarke, the widow of Major General John Clarke, who bought it in India while serving as Commissioner of Oudh between 1858 and 1862. |
| Associated object | |
| Other number | 185 - inscription/original number |
| Collection | |
| Accession number | IS.2:105-1896 |
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| Record created | November 2, 1998 |
| Record URL |
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