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Hercules and Antaeus

  • Object:

    Figure group

  • Place of origin:

    Mantua, Italy (made)

  • Date:

    1500-1510 (made)

  • Artist/Maker:

    Antico (Pier Jacopo di Antonio Alari-Bonacolsi), born 1455 - died 1528 (sculptor)

  • Materials and Techniques:

    Bronze, with silver gilding in the eyes

  • Credit Line:

    Bequeathed by Dr W. L. Hildburgh, FSA

  • Museum number:

    A.37-1956

  • Gallery location:

    Medieval and Renaissance, room 64, case SS1

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Antico was court sculptor to the Gonzaga family, rulers of Mantua. He trained as a goldsmith and developed a sophisticated method of reproducing bronzes. As his name suggests, Antico was inspired by works from antiquity. He based this group on a classical marble of Hercules and Antaeus now in the Palazzo Pitti, Florence.

Physical description

Hercules and Antaeus, bronze figure group. The eyes of both figures are inlaid with silver. The group is fixed to an original oval bronze base without mouldings. The bearded figure of Hercules holds the younger Antaeus aloft.

Place of Origin

Mantua, Italy (made)

Date

1500-1510 (made)

Artist/maker

Antico (Pier Jacopo di Antonio Alari-Bonacolsi), born 1455 - died 1528 (sculptor)

Materials and Techniques

Bronze, with silver gilding in the eyes

Dimensions

Height: 40.8 cm, Height: 39.1 cm figure only, Weight: 6.480 kg, Width: 22 cm, Depth: 14.1 cm
[Statuette] Height: 39.1 cm

Object history note

Given by Dr. W. L. Hildburgh, F. S. A., 1956.

Historical significance: The model derives from the classical marble of Hercules and Antaeus which is today in the courtyard of the Palazzo Pitti in Florence presented to Cosimo I by Pius IV in 1560. Before this it had been in Rome in the Belvedere, where it was installed by Julius II. Although its date of discovery is not known before 1474 to Mantegna, who adapted it for a scene on the vault of the Caniera degli Sposi, completed in that year.

Descriptive line

Group, bronze, Hercules and Antaeus, by Antico, Italy (Mantua), 1500-1510

Bibliographic References (Citation, Note/Abstract, NAL no)

Bober, P. P. and Rubinstein, R. O. Renaissance Artists and Antique Sculpture, a Handbook of Sources. Oxford, 1986, p. 173
Ettlinger, Leopold, D. Antonio and Piero Pollaiuolo. Oxford, 1978, p. 147 (cat.no. 13), fig. 20
Howarth, D. 'Charles I, Sculpture and Sculptor's'. In: A. MacGregor (ed.), The Late King's Goods, Oxford University Press, London & Oxford, no. 3, p. 98, fig 48
Trusted, Marjorie, ed. The Making of Sculpture. The Materials and Techniques of European Sculpture. London: 2007, p. 55, pl. 89, 90

Exhibition History

Bonacolsi L'Antico (Palazzo Ducale, Mantua 19/09/2008-06/01/2009)
Isabella D'Este: Fürstin und Mäzenatin der Renaissance (Kunsthistorisches Museum 14/02/1994-24/05/1994)
Splendours of the Gonzaga (Victoria and Albert Museum 02/11/1981-31/01/1982)

Materials

Silver; Bronze

Techniques

Gilding

Subjects depicted

Nudes; Hercules; Classicism; Antaeus

Categories

Sculpture; Myths & Legends

Collection code

SCP

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Qr_O94280
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