Tableman thumbnail 1
Tableman thumbnail 2
+2
images
Image of Gallery in South Kensington
On display at V&A South Kensington
Medieval & Renaissance, Room 8, The William and Eileen Ruddock Gallery

Tableman

ca. 1150 (made)
Artist/Maker
Place of origin

Backgammon in its various versions, has existed for at least 6000 years and has the longest recorded history of any board game. The popularity of the game in western Europe in the twelfth century may have been a result of contact with the East where it was very popular. This playing piece was almost certainly produced in a Cologne workshop which specialised in the production of tablemen in the second half of the 12th century and exhibits the distinctive zigzag borders with inserted beads. The figure shown is undoubtedly the personification of Ophiuchus, or Serpentarius, the 13th of the zodiacal constellations (formerly wrongly identified as Hercules fighting a snake). This naked figure is depicted grappling with a large snake in very similar manner in a number of early medieval astrological manuscripts, from the celebrated Carolingian Leiden Ararea onwards through to the 12th and 13th centuries, and it is likely that such an image served as model.
It is possible therefore that the piece belonged to a set devoted mostly to the signs of the zodiac, and that the opposing side might have been made up of pieces showing the labours of the months and other related images.


Object details

Categories
Object type
Materials and techniques
Elephant Ivory
Brief description
Tableman, elephant ivory, depicting Ophiuchus, the 13th of the zodiacal constellations, Cologne, ca. 1150
Physical description
Circular walrus ivory, the border with zig zag ornament and inserted circles. It depicts a naked man fighting a large snake, which wraps itself around his body. Draughtsman, unusally large and bold in design.
Dimensions
  • Thickness: 1.3cm
  • Diameter: 7.3cm
  • Weight: 0.06kg
Measured for the Medieval and Renaissance Galleries
Credit line
Bequeathed by Mr Henry Oppenheimer through Art Fund
Object history
Formerly in the J.M. Soyter Collection, Augsburg until 1871 and Bonaffe Antokolski Collection until 1901. Bequeathed by Henry Oppenheimer in 1933.

Historical significance: The figure was previously wrongly identified as Hercules.
The figure shown is undoubtedly the personification of Ophiuchus, or Serpentarius, the 13th of the zodiacal constellations. This naked figure is depicted grappling with a large snake in very similar manner in a number of early medieval astrological manuscripts, from the celebrated Carolingian Leiden Ararea onwards through to the 12th and 13th centuries, and it is likely that such an image served as model.
It is possible therefore that the piece belonged to a set devoted mostly to the signs of the zodiac, and that the opposing side might have been made up of pieces showing the labours of the months and other related images.
Historical context
This backgammon piece was almost certainly produced in a Cologne workshop, which was specialised in the production of tablemen in the mid of the 12th century and exhibits the distinctive zigzag borders with inserted beads.
Subjects depicted
Summary
Backgammon in its various versions, has existed for at least 6000 years and has the longest recorded history of any board game. The popularity of the game in western Europe in the twelfth century may have been a result of contact with the East where it was very popular. This playing piece was almost certainly produced in a Cologne workshop which specialised in the production of tablemen in the second half of the 12th century and exhibits the distinctive zigzag borders with inserted beads. The figure shown is undoubtedly the personification of Ophiuchus, or Serpentarius, the 13th of the zodiacal constellations (formerly wrongly identified as Hercules fighting a snake). This naked figure is depicted grappling with a large snake in very similar manner in a number of early medieval astrological manuscripts, from the celebrated Carolingian Leiden Ararea onwards through to the 12th and 13th centuries, and it is likely that such an image served as model.
It is possible therefore that the piece belonged to a set devoted mostly to the signs of the zodiac, and that the opposing side might have been made up of pieces showing the labours of the months and other related images.
Bibliographic references
  • Paul Williamson, The Medieval Treasury. London, 1986, p.113.
  • Mann, Vivian B. Romanesque Ivory Tablemen New York University. PhD dissertation. 1977. cat. no. 114,
  • Goldschmidt, A. Die Elfenbeinskulpturen aus romanischen Zeit. XI. Bis XIII. Jahrhundert (Elfenbeinskulpturen III), Berlin, 1923 (reprinted, Berlin, 1972), cat.no. 171
  • Beckwith, J. Ivory Carvings in Early Medieval England, London, 1972, cat. no. 117, fig. 221
  • Williamson, Paul. Medieval Ivory Carvings. Early Christian to Romanesque. London, V&A Publishing, Victoria and Albert Museum, 2010, pp. 424-5 , cat.no. 112
  • Williamson, Paul, and Motture, Peta (eds.), Medieval and Renaissance Treasures, Victoria and Albert Museum, London, 2010
  • Catalogue of an exhibition of carvings in ivory, London : Privately printed for the Burlington Fine Arts Club, 1923 81
Collection
Accession number
A.3-1933

About this object record

Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.

You can write to us to suggest improvements to the record.

Suggest feedback

Record createdMarch 1, 2004
Record URL
Download as: JSONIIIF Manifest