Painting thumbnail 1
Not currently on display at the V&A

Painting

ca. 1590-95 (made)
Artist/Maker
Place of origin

This painting by the Mughal court artists Khiman Sangtarash and Mukund is an illustration from the Akbarnama (Book of Akbar). It depicts the capture of Fort Mirtha near Jodhpur in north-west India, seen in flames in the background, by Mughal forces led by Mirza Sharaf ud-Din Husain in 1562.

The Akbarnama was commissioned by the Mughal emperor Akbar (r.1556–1605) as the official chronicle of his reign. It was written in Persian by his court historian and biographer, Abu’l Fazl, between 1590 and 1596, and the V&A’s partial copy of the manuscript is thought to have been illustrated between about 1592 and 1595. This is thought to be the earliest illustrated version of the text, and drew upon the expertise of some of the best royal artists of the time. Many of these are listed by Abu’l Fazl in the third volume of the text, the A’in-i Akbari, and some of these names appear in the V&A illustrations, written in red ink beneath the pictures, showing that this was a royal copy made for Akbar himself. After his death, the manuscript remained in the library of his son Jahangir, from whom it was inherited by Shah Jahan.

The V&A purchased the manuscript in 1896 from Frances Clarke, the widow of Major General John Clarke, who bought it in India while serving as Commissioner of Oudh between 1858 and 1862.


Object details

Categories
Object type
Materials and techniques
Painted in opaque watercolour and gold on paper
Brief description
Painting, Akbarnama, capture of Fort Mirtha, outline by Mukund, painting Khiman the Sculptor, opaque watercolour and gold on paper, Mughal, ca. 1590-95
Physical description
Painting, in opaque watercolour and gold on paper, this painting depicts the capture of Fort Mirtha, Jodhpur, by Mirza Sharaf ud-Din Husain in 1561. Most of the picture is devoted to the battle scene and shows that a variety of weapons, including bows and arrows, swords and spears were employed. In the background, part of the fort appears to be ablaze.
Dimensions
  • Height: 32.8cm
  • Width: 19.4cm
Content description
The capture of Fort Mirtha, Jodhpur, by Mirza Sharaf ud-Din Husain in 1561. Most of the picture is devoted to the battle scene and shows that a variety of weapons, including bows and arrows, swords and spears were employed. In the background, part of the fort appears to be ablaze.
Styles
Marks and inscriptions
(Contemporary librarian's attributions in Persian, in red ink in the margin below the painting)
Translation
'Composition by Makand/Work [=painting] by Khirman Sangtarash'
Transliteration
'Tarh Mukund/Ama: Khiman Sangtarash'
Credit line
Purchased from Mrs. Clarke, The Dingle, Sydenham Hill, S. E
Object history
The Akbarnama was commissioned by the Emperor Akbar as an official chronicle of his reign. It was written by his court historian and biographer Abu'l Fazl around 1590, and illustrated during the same decade by at least forty-nine different artists from Akbar's studio. After Akbar's death, the manuscript remained in the library of his son, Jehangir. The Victoria and Albert Museum purchased it in 1896 from the widow of major General Clarke, an official who served as the Commissioner in Oudh province.

Historical significance: It is thought to be the first illustrated copy of the Akbarnama. It drew upon the expertise of some of the best royal painters of the time, many of whom receive special mention by Abu'l Fazl in the A'in-i-Akbari. The inscriptions in red ink on the bottom of the paintings name the artists.
Production
Composition by Mukund, painted by Khiman Sangtarash.
Subject depicted
Place depicted
Association
Literary referenceAkbarnama
Summary
This painting by the Mughal court artists Khiman Sangtarash and Mukund is an illustration from the Akbarnama (Book of Akbar). It depicts the capture of Fort Mirtha near Jodhpur in north-west India, seen in flames in the background, by Mughal forces led by Mirza Sharaf ud-Din Husain in 1562.

The Akbarnama was commissioned by the Mughal emperor Akbar (r.1556–1605) as the official chronicle of his reign. It was written in Persian by his court historian and biographer, Abu’l Fazl, between 1590 and 1596, and the V&A’s partial copy of the manuscript is thought to have been illustrated between about 1592 and 1595. This is thought to be the earliest illustrated version of the text, and drew upon the expertise of some of the best royal artists of the time. Many of these are listed by Abu’l Fazl in the third volume of the text, the A’in-i Akbari, and some of these names appear in the V&A illustrations, written in red ink beneath the pictures, showing that this was a royal copy made for Akbar himself. After his death, the manuscript remained in the library of his son Jahangir, from whom it was inherited by Shah Jahan.

The V&A purchased the manuscript in 1896 from Frances Clarke, the widow of Major General John Clarke, who bought it in India while serving as Commissioner of Oudh between 1858 and 1862.
Other number
105 - Inscription/original number
Collection
Accession number
IS.2:25-1896

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Record createdOctober 22, 1998
Record URL
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