Not currently on display at the V&A

Unknown man

Medal
second quarter of 16th century (made)
Artist/Maker
Place of origin

This medallion is made by Friedrich Hagenauer in Germany in the second quarter of the 16th century.
The purpose of this piece is uncertain. It may have been a model, although no medals are known to have been cast after it. Its large size suggests it is unlikely to have been a games-piece.
Hagenauer (1490-1500) was a German wood-carver and medallist. In accordance with his training as a wood-carver he prepared his models in boxwood or pearwood and then cast them in silver, bronze or lead. Hagenauer was active throughout the whole South German area and the Lower Rhine (main work output from the cities: Augsburg, Baden, Swabia, Bonn, Cologne, Munich). His models are very accurate and precise, and exact in the smallest detail. His patrons were fascinated by his models and treasured them as works of art, framed them and sometimes even coloured them. This is the reason also why so many have survived.


Object details

Categories
Object type
TitleUnknown man (generic title)
Materials and techniques
Pearwood
Brief description
Medallion, pearwood, Portrait of an unknown man, by Friedrich Hagenauer, Germany, second quarter of 16th century
Physical description
Medallion depicts the profile bust to left, within turned border.
Dimensions
  • Diameter: 66mm
Credit line
Salting Bequest
Object history
Provenance: Salting Bequest. George Salting (b. 1836; d. 1909), an Australian who settled in England, bequeathed a large collection of works decorative art to the Museum in 1909.
Bought from Salting from the Spitzer collection.
Subjects depicted
Summary
This medallion is made by Friedrich Hagenauer in Germany in the second quarter of the 16th century.
The purpose of this piece is uncertain. It may have been a model, although no medals are known to have been cast after it. Its large size suggests it is unlikely to have been a games-piece.
Hagenauer (1490-1500) was a German wood-carver and medallist. In accordance with his training as a wood-carver he prepared his models in boxwood or pearwood and then cast them in silver, bronze or lead. Hagenauer was active throughout the whole South German area and the Lower Rhine (main work output from the cities: Augsburg, Baden, Swabia, Bonn, Cologne, Munich). His models are very accurate and precise, and exact in the smallest detail. His patrons were fascinated by his models and treasured them as works of art, framed them and sometimes even coloured them. This is the reason also why so many have survived.
Bibliographic references
  • Trusted, Marjorie. German Renaissance Medals. Victoria & Albert Museum, 1990. 128p., ill. ISBN 1851770135.
  • 'Salting Bequest (A. 70 to A. 1029-1910) / Murray Bequest (A. 1030 to A. 1096-1910)'. In: List of Works of Art Acquired by the Victoria and Albert Museum (Department of Architecture and Sculpture). London: Printed under the Authority of his Majesty's Stationery Office, by Eyre and Spottiswoode, Limited, East Harding Street, EC, p. 82
  • Habich, catalog, I, 1, p. 72, no. 455
Collection
Accession number
A.508-1910

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Record createdFebruary 27, 2004
Record URL
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