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Coats of arms of Nuremberg and the German Empire

Medal
1538 (made)
Artist/Maker
Place of origin

This is a lead medal made in Nuremberg and dated 1538. Peter Flötner designed the obverse of this medal representing the arms of the City of Nuremberg and the German Empire; Johann Neudörffer composed the inscription on the reverse commemorating the restoration of the defences of Nuremberg in 1538; and Hans Maslitzer cast the medal. The fortifications around Nuremberg Castle were erected by Antonio de Vazuni between 1538 and 1545, and this is the first of the so-called foundation medals made north of the Alps.
Flötner (ca. 1485-1546) was a sculptor, medallist, cabinetmaker, woodcutter and designer. He worked initially in Augsburg from around 1512 to 1516 before moving to Nuremberg where he became a citizen in 1522. Changes in Flötner's style after around 1530 suggest he may have travelled to Italy. His workshop catered for bell-founders, goldsmiths, pewterers and medallists supplying them with plaques made of lead, tin, bronze and solnhofen limestone. They were used like pattern books. The plaques were arranged in lines and a clay or plaster mould was made from them. In these moulds wax models were cast which were then applied to the outside of the wax models of bells, mortars and tankards before they were cast in metal.


Object details

Categories
Object type
TitleCoats of arms of Nuremberg and the German Empire (generic title)
Materials and techniques
Lead
Brief description
Medallion, lead, Coats of arms of Nuremberg and the German Empire, by Peter Flötner, Germany, dated 1538
Dimensions
  • Diameter: 7.3cm
  • Weight: 64.7g
Marks and inscriptions
  • 'FVNDAMENTVM / SALVTIS NOSTRAE / CHRISTUS' (Latin; Obverse. Author of the inscription: Johann Neudörfer)
    Translation
    Christ is the foundation of our salvation
  • 'DEO OPT. MAX. / S.P.Q.N. MVROS ARCIS / NON SATIS FIRMOS AS SVSTI. / NENDOS HOSTILES IMPETVS, ET / IVTA SPATIORVM ADIECTIONE, / ET MVLTIS SVBINDE EGESTIS RVDERIB. / A FVNDAMENTIS, MAGNA CVM LAVDE / EREXIT AC NOVOS FEDIT:IMP. CAROL. / V.CAES.P.F. SEP. AVG. REGE HISPAN. / CATHOLICO, ARCHIDVCIQ. AVST. ETC. / FERDINAN. FR. EIVS REGE ITEM / ROM. HVNG. ET BOHEM. ROMANIQ. / IMP. SVCESSORE ETC. PATRIB. VERO / P. CHRISTOF. TETZELIO. LEONH. / TVCHERO ET SEBALD. PFINTZ / INGO. ANN. M.D. XXXVIII. / MEN.AVG.' (Latin; Reverse. Author of the inscription: Johann Neudörfer)
    Translation
    Glory be to God. The council and people of Nuremberg erected and made new with great honour the walls of the citadel, which were not strong enough to withstand enemy attack, both by the just addition of spaces, and then by clearing away the many delapidated buildings around the foundations. This was done for Charles V Emperor Pious and Fortunate, Ever August, King of Catholic Spain, Archduke of Austria etc., and for his brother Ferdinand, King of the following: Rome, Hungary, Bohemia and the Romans, Imperial successor etc., witnessed in deed by the councillors Christoph Tetzel, Leonhard Tucher and Sebald Pfinzing, in the year 1538, in the month of August.
Object history
Bought from A. Pickert of Nuremberg in 1871.
Production
Author of the inscription: Johann Neudörfer
Subjects depicted
Summary
This is a lead medal made in Nuremberg and dated 1538. Peter Flötner designed the obverse of this medal representing the arms of the City of Nuremberg and the German Empire; Johann Neudörffer composed the inscription on the reverse commemorating the restoration of the defences of Nuremberg in 1538; and Hans Maslitzer cast the medal. The fortifications around Nuremberg Castle were erected by Antonio de Vazuni between 1538 and 1545, and this is the first of the so-called foundation medals made north of the Alps.
Flötner (ca. 1485-1546) was a sculptor, medallist, cabinetmaker, woodcutter and designer. He worked initially in Augsburg from around 1512 to 1516 before moving to Nuremberg where he became a citizen in 1522. Changes in Flötner's style after around 1530 suggest he may have travelled to Italy. His workshop catered for bell-founders, goldsmiths, pewterers and medallists supplying them with plaques made of lead, tin, bronze and solnhofen limestone. They were used like pattern books. The plaques were arranged in lines and a clay or plaster mould was made from them. In these moulds wax models were cast which were then applied to the outside of the wax models of bells, mortars and tankards before they were cast in metal.
Bibliographic references
  • Trusted, Marjorie. German Renaissance Medals. Victoria & Albert Museum, 1990, p. 39
  • List of Objects in the Art Division, South Kensington, Acquired During the Year 1872, Arranged According to the Dates of Acquisition. London: Printed by George E. Eyre and William Spottiswoode for H.M.S.O., p. 47
Collection
Accession number
580-1872

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Record createdFebruary 25, 2004
Record URL
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