Stemcup thumbnail 1
Stemcup thumbnail 2
Not on display

Stemcup

618-799 (made)
Artist/Maker
Place of origin

Silver objects were not as highly coveted in China as in other ancient civilisations such as the Roman or the Parthian, but they became important luxury items for emperors and high-ranking officials during the Tang dynasty (AD 618-960). By the beginning of the 7th century large quantities of silver pieces with exotic shapes and styles were imported along the Silk Road from Iran and Central Asia to China. Chinese craftsmen often reproduced foreign shapes and acquired new manufacturing techniques from Central Asian silversmiths who had settled in Chinese urban centres beginning in the mid 7th century.

This stemcup was used to drink alcohol. The chased decoration of ducks and floral scrolls on a finely punched ground suggests the influence of similar Sasanian silver examples.

Object details

Categories
Object type
Materials and techniques
Chased and punched silver
Brief description
Silver stemcup with chased and punched design, China, Tang dynasty, 7th-8th century
Physical description
Silver stemcup with a chased decoration depicting ducks and floral scrolls on a ground of finely punched dots
Dimensions
  • Height: 8.3cm
Style
Credit line
Purchased with Art Fund support, the Vallentin Bequest, Sir Percival David and the Universities China Committee
Subjects depicted
Summary
Silver objects were not as highly coveted in China as in other ancient civilisations such as the Roman or the Parthian, but they became important luxury items for emperors and high-ranking officials during the Tang dynasty (AD 618-960). By the beginning of the 7th century large quantities of silver pieces with exotic shapes and styles were imported along the Silk Road from Iran and Central Asia to China. Chinese craftsmen often reproduced foreign shapes and acquired new manufacturing techniques from Central Asian silversmiths who had settled in Chinese urban centres beginning in the mid 7th century.

This stemcup was used to drink alcohol. The chased decoration of ducks and floral scrolls on a finely punched ground suggests the influence of similar Sasanian silver examples.
Bibliographic references
  • Kerr, Rose (ed.), Chinese Art and Design: the T.T. Tsui Gallery of Chinese Art. London: Victoria and Albert Museum, 1991. p. 172, fig. 78
  • Oriental Art in the Victoria and Albert Museum p. 17
  • Catalogue of a Collection of objects of Chinese art, London, Private Printing for the Burlington Fine Arts Club, 1915 G.9, pl.XL
Collection
Accession number
M.31-1935

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Record createdFebruary 23, 2004
Record URL
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